首页> 外文学位 >Until the resurrection: Poetic fame and the future of the body in English Renaissance lyric, 1590-1641.
【24h】

Until the resurrection: Poetic fame and the future of the body in English Renaissance lyric, 1590-1641.

机译:直到复活为止:1590-1641年英国文艺复兴时期的抒情诗中诗意的名声和身体的未来。

获取原文
获取原文并翻译 | 示例

摘要

This study explores how English lyric poets between 1590 and 1641, facing the question of whether and how their poems might escape Time's threat to destroy every material thing, brought together classical tropes of poetic immortality with the Christian expectation of bodily resurrection. The expectation of resurrection became for these poets an idea crucial to confronting one of the central problems of lyric, that of lastingness or immortality. As heirs of the classical tradition of poetic fame, of its adaptation by Petrarch and others, and of the repeated upheavals of the English Reformation, they were acutely conscious of threats to the long-term survival of both physical and textual monuments, and they embraced the classical trope of "devouring Time" as an expression of suspicion toward the capacity of material things to endure as vehicles of memory. I examine lyric poems across genres ranging from love sonnet to funeral elegy by poets including Donne, Shakespeare, Jonson, Spenser, and Milton.;I contend that these poets' boasts of the power to grant lasting fame should not be dismissed as merely conventional attempts to impress contemporary readers, whether their works were intended for coterie circulation in unbound manuscript or for monumental print editions. As practices surrounding burial and funeral monuments shifted during England's Reformation toward expressing the hope of resurrection, these poets looked to the resurrection of the body as a template of how materiality and immortality might reach some point of tangency in their verses. Resurrection would make poetic fame superfluous, but in the mean time, the poem could anticipate resurrection, providing an image or foretaste of eternity. At the same time, the body's decay represented for these poets their anxieties about the many dangers that threaten the prospect of readership in posterity: misattribution, censorship, destruction, fragmentation, and neglect. Though literary immortality is also a concern of other genres of poetry, including epic, I focus on secular lyrics, because they tend to locate themselves in a particular moment, a moment that often looks forward to the address with which the dead are called forth at the moment of resurrection.
机译:这项研究探索了1590至1641年间的英国抒情诗人如何面对他们的诗歌是否以及如何摆脱《时代》毁灭一切物质事物的威胁的问题,将古典诗意的不朽诗词与基督教徒对身体复活的期望结合在一起。对这些诗人来说,复活的期望成为一种思想,对于面对抒情性的持久性或永生性这一核心问题至关重要。作为诗歌名声经典传统的继承者,彼得拉赫(Petrarch)等人的改编以及英国宗教改革的反复动荡,他们敏锐地意识到了对物理和文字古迹的长期生存的威胁,因此他们拥抱了“吞噬时间”的经典说法是对物质的承受能力的怀疑表达。我研究了唐奈(Donne),莎士比亚(Shakespeare),琼森(Jonson),斯潘塞(Spenser)和米尔顿(Milton)等诗人从爱情十四行诗到丧葬挽歌等各种流派的抒情诗;我认为这些诗人具有长久成名的能力不应被视作仅仅是传统尝试。不论是专为未发行手稿的小圈子发行还是纪念性的印刷版而给当代读者留下深刻印象。在英格兰改革期间,随着围绕墓葬和fun葬纪念碑的习俗向表达复活的希望转移,这些诗人将尸体的复活视为物质和永生如何在诗句中达到某种切点的模板。复活会使诗意的名声变得多余,但与此同时,这首诗可以预见复活,提供永恒的意象或预兆。同时,身体的衰落使这些诗人感到焦虑,担心许多危害后代读者的前景:归因失误,审查,破坏,分裂和忽视。尽管文学不朽也是包括史诗在内的其他诗词类型的关注点,但我主要关注世俗歌词,因为它们倾向于将自己定位在特定的时刻,这一时刻通常期待着死者的讲话地点。复活的时刻。

著录项

  • 作者

    Dawson Ellison, Sarah Gene.;

  • 作者单位

    University of Notre Dame.;

  • 授予单位 University of Notre Dame.;
  • 学科 English literature.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 331 p.
  • 总页数 331
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号