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Class, authenticity, and consumer modernity in provincial China: Ritual feasting in Luzhou, Sichuan.

机译:中国省级的阶级性,真实性和消费者现代性:四川Lu州的盛宴。

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摘要

This dissertation examines ritual feasting in the small city of Luzhou, China, as a medium for making social relationships and marking class distinctions within a political economy of state-led marketization and cultural modernity embodied in individual consumption. Ritual feasting is analyzed as a "linguistic register" stereotypically linking speech and non-speech signs, social identities, and contexts. This study outlines three main modes as the "formal," "expressive," and "playful" modes, named after their operative styles. While the formal and playful modes have deep historical roots pre-dating the reform era, this study identifies the expressive mode as a cultural re-tooling of the ritual register to suit the needs of relationally-based market formation after 1978. Therefore, this mode, which performatively literalizes social ideals such as "ganqing" (feeling) and "gaoxing" (happiness), has come to be associated with those classes and state institutions most involved in forming commercial relationships: the "New Rich.";This widely perceived (and stigmatized) association between mode and class demonstrates non-elite resistance to expressive feasting's innovations. This dissertation delves into some consequences of this elite failure to gain outright cultural legitimacy. With the early expressive style widely mocked as "false," this study shows that the search for an authentic sociality has led Luzhou's elites either to temper expressive performativity with formal-mode restraint or playful-mode coercive play. Even as many residents long for authentic ways of being and interacting---often imaginatively located in the rural hinterlands---the dominant new habitus, called "consumer modernity," demands a high level of ironic detachment vis a vis ideals and models of behavior. Therefore, this study concludes that Luzhou elites' fascination with people supposedly beyond the reach of the market and fully absorbed in real ritual is a corollary of their own subjection to conditions of market exchange: inevitably split between appearance and inner state, ends and means, language and materiality. Ritual feasting functions in this complex cultural politics as class icon, market parable, and medium for social exchange.
机译:本文探讨了在中国zhou州这个小城市举行的宗教盛宴,以此作为在由个人消费体现的国家主导的市场化和文化现代性的政治经济学中建立社会关系和区分阶级区别的媒介。仪式盛宴被分析为定型地将语音和非语音标志,社会身份和环境联系起来的“语言记录”。这项研究概述了三种主要模式,分别是“正式”,“表达”和“好玩”模式,并以其操作方式命名。尽管正式和好玩的模式在改革时代之前就有很深的历史根源,但本研究将表达模式识别为一种礼仪记录的文化改造,以适应1978年后基于关系的市场形成的需求。因此,这种模式在实践上体现了“ ganqing”(感觉)和“ gaoxing”(幸福)等社会理想,已经与那些最参与形成商业关系的阶级和国家机构相关联:“ New Rich”。模式和阶级之间的联系(并带有污名化)表明了对表达性宴席的创新的非精英抵抗。本文探讨了精英阶层无法获得完全的文化合法性的某些后果。早期的表现风格被普遍嘲讽为“假”,这项研究表明,对真实社会的追求导致Lu州的精英们要么通过形式模式的约束,要么通过嬉戏的模式来强​​制表现性表现。即使许多居民渴望以真实的方式进行互动(通常是想象中地位于农村腹地地区),占主导地位的新习惯也被称为“消费者现代性”,它需要相对于理想和模型具有较高的讽刺意味。行为。因此,这项研究得出的结论是,zhou州精英对人们所谓的无法进入市场并完全沉迷于真实仪式的迷恋是他们自己服从市场交换条件的必然结果:不可避免地在外表与内在状态,目的与手段,语言和重要性。仪式盛宴在这种复杂的文化政治中起着阶级标志,市场寓言和社会交流媒介的作用。

著录项

  • 作者

    Harmon, Brian.;

  • 作者单位

    Columbia University.;

  • 授予单位 Columbia University.;
  • 学科 Anthropology Cultural.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 317 p.
  • 总页数 317
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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