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Satire and medicine in Renaissance Florence: Leonardo da Vinci's Grotesque drawings.

机译:佛罗伦萨文艺复兴时期的讽刺和医学:达芬奇的怪诞图画。

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摘要

Leonardo da Vinci's so-called Grotesque drawings have resisted interpretation. Drawn as marginalia, full sheet sketches, and small doodles, comically distorted representations of both men and women make up this small canon, some more exaggerated than others. This thesis examines the relationships between the drawings, Florentine literary satire, and medical discourses in an effort to establish a productive lens for contextualizing these images. A literature review examines the current scholarship on the drawings and what needs to be further addressed. The similarities between the anti-academic, satirical poetry and literature of the Florentine Renaissance and the tropes seen in the Grotesque drawings comprise chapter two. An overview of relevant medical discourses, in particular those treating depictions of old age and the elderly is presented in chapter three.
机译:列奥纳多·达·芬奇(Leonardo da Vinci)所谓的怪诞图画拒绝了解释。绘制成边缘的,整张草图和小涂鸦,都是男人和女人的可笑变形,代表了这个小经典,其中有些夸张。本论文研究了绘画,佛罗伦萨文学讽刺文学和医学话语之间的关系,以期为将这些图像情境化建立一个有效的镜头。文献综述检查了有关图纸的当前奖学金以及需要进一步解决的问题。佛罗伦萨文艺复兴时期的反学术,讽刺诗与文学之间的相似之处以及怪诞图画中的比喻构成了第二章。第三章概述了有关医学话语,尤其是那些治疗老年和老年人的话语。

著录项

  • 作者单位

    American University.;

  • 授予单位 American University.;
  • 学科 Art history.;European history.
  • 学位 M.A.
  • 年度 2015
  • 页码 61 p.
  • 总页数 61
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:52:37

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