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SU SHI: MAJOR CREATIVE AND CRITICAL INSIGHTS AND THEORIES (CHINA).

机译:苏:主要的创新和批判性见解和理论(中国)。

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摘要

The dissertation aims at constructing a framework for understanding Su Shi's creative and critical perceptions and theories.;Su Shi's concept of verisimilitude is characterized by an emphasis on the spiritual aspect. He claims that the objective law of nature, which governs the infinite changes of the universe, holds the key to true beauty and verisimilitude.;Su Shi proposed unique relationships between ideas and expression, and between the writer and his materials. Specifically, he made "having the whole vision of bamboo," i.e., ready plans, a maxim for many in China who want to better prepare themselves before taking action.;My presentation of Su Shi's notions on language accounts for his fresh and colorful phraseology and diction. He made a clear distinction between freshness and eccentricity, and recommended lucidity and an unornamented style that are inherent in natural language.;My discussion of his pragmatic theories focuses on his ideas about the purpose of literature, which is to expose and remedy social errors. These theories are placed in the context of his time and his sense of responsibility as a writer.;An investigation of his theories on originality shows how he established his "Bold and Unrestrained School," which revived the lyric as a genre and elevated it to a new level as a serious poetic medium.;Finally, the dissertation analyzes his major critical theories. He proposed that criticism be subjected to the test of time, and believed that critical ability must be nurtured in wider life experience that would procreate imagination, perception, and accuracy. In addition, he suggested that it was necessary to adhere to one's own judgments, and to reject undesirable interference in literary criticism.;The dissertation makes available in English a comprehensive study of one of the greatest figures in Chinese literary history, as well as many freshly translated texts from the rich literary tradition of China, most of which is hardly known to the West.
机译:本文旨在建立一个理解苏Shi的创造性和批判性观念和理论的框架。苏Shi的“真实性”概念的重点是精神方面。他声称,支配宇宙无限变化的客观自然法则是实现真正美和逼真度的关键。苏Shi提出了思想与表达之间以及作者与他的材料之间的独特关系。具体来说,他提出了“具有竹子的整体视野”(即“准备好计划”),这是许多中国人希望在采取行动之前更好地做好准备的箴言。我对苏Shi语言概念的介绍说明了他新鲜而多彩的用语。和字典。他在清新与古怪之间做出了清晰的区分,并推荐自然语言所固有的清醒与朴实的风格。我对他的实用理论的论述集中在他关于文学目的的观念上,即揭示和纠正社会错误。这些理论是在他的时代和作为作家的责任感的背景下进行的。;对他的原创性理论的调查表明,他是如何建立自己的“大胆而不受限制的学校”的,从而使抒情诗作为一种流派得以复兴并提升为最后,论文对他的主要批判理论进行了分析。他提议批评应经受时间的考验,并认为必须在更广泛的生活经验中培养批判能力,以创造想象力,感知力和准确性。此外,他建议有必要坚持自己的判断,并拒绝对文学批评的不当干涉。论文用英语全面研究了中国文学史上最伟大的人物之一,以及许多来自中国丰富的文学传统的新鲜译本,其中大多数鲜为西方所知。

著录项

  • 作者

    XU, LONG.;

  • 作者单位

    The University of Nebraska - Lincoln.;

  • 授予单位 The University of Nebraska - Lincoln.;
  • 学科 Literature Asian.
  • 学位 Ph.D.
  • 年度 1986
  • 页码 165 p.
  • 总页数 165
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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