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Colonial anxieties: The psychological importance of place in the writing of V. S. Naipaul (Trinidad and Tobago).

机译:殖民地焦虑症:在V. S. Naipaul(特立尼达和多巴哥)写作中,心理重要性很重要。

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摘要

This dissertation focuses on Naipaul's treatment of the psychological realities of colonialism, particularly in regard to the relationship between self and place. It argues that this relationship between self and place is a particularly complex one for the colonial, and that this is due to the colonial's sense of him or herself as peripheral or "other" in relation to the mother country. Naipaul's writing is discussed from a biographical perspective; his own complex response to place as a colonial writer is examined as a source of anxiety and tension expressed throughout his work. This "internal adventure of anxieties" becomes a major theme in itself.; The first chapter, "East Indian West Indian," is a detailed study of Naipaul's background, the colonial history which brought his ancestors to Trinidad, his early family life in the Indian community in Trinidad, and his early colonial education. The historical and biographical details in this chapter draw attention to the sense of alienation which dominates Naipaul's vision. A central dichotomy is seen as emerging in Naipaul's life and work: an inability to be at ease with his colonial background, yet an inability to relinquish its hold upon his literary imagination.; The other five chapters are close studies of individual works by Naipaul in which the ideas of self and place are examined from both a biographical and psychological perspective. The works are: Miguel Street, A House for Mr. Biswas, An Area of Darkness, and The Enigma of Arrival. These works each represent significant phases in Naipaul's development as a writer, and each shows changes in the writer's style and view in regard to the interrelation of self and place.
机译:本文主要研究奈保尔对殖民主义心理现实的处理,特别是关于自我与地方之间的关系。它认为,对于殖民者来说,自我与位置之间的这种关系特别复杂,这是由于殖民者将他或她视为与祖国有关的外围或“其他”的感觉。从传记的角度讨论了奈保尔的著作。他对自己作为殖民作家所处位置的复杂反应被视为整个作品中表达的焦虑和紧张的根源。这种“焦虑的内心冒险”本身成为一个主要主题。第一章“东印度西印度人”详细研究了奈保尔的背景,将他的祖先带到特立尼达的殖民历史,他在特立尼达的印度社区的早期家庭生活以及他的早期殖民教育。本章中的历史和传记细节提请人们注意占主导地位的异化感。中央二分法被视为在奈保尔的生活和工作中正在出现:无法对他的殖民背景感到宽容,却无法放弃其文学想象力。其他五章是奈保尔对个人作品的仔细研究,其中从传记和心理学的角度研究了自我和位置的观念。作品有:米格尔街(Miguel Street),比斯瓦斯(Biswas)先生的房屋,黑暗之地和来港之谜。这些作品分别代表了奈保尔作为作家的发展的重要阶段,并且都表明了作者在自我与位置的相互关系方面的风格和观点的变化。

著录项

  • 作者

    Thompson, Margaret Cezair.;

  • 作者单位

    City University of New York.;

  • 授予单位 City University of New York.;
  • 学科 Literature Caribbean.; Literature Modern.
  • 学位 Ph.D.
  • 年度 1990
  • 页码 269 p.
  • 总页数 269
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;
  • 关键词

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