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Chinese ethnography in the eighteenth century: Miao albums of Guizhou Province.

机译:十八世纪的中国民族志:贵州省的苗族专辑。

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摘要

This dissertation explores the collection and categorization of knowledge exemplified in illustrated ethnographic texts on eighteenth-century China's southwestern frontier populations. These documents, known as "Miao albums," were initially designed to educate officialdom as to the habits and customs of different minority ethnic groups, thereby allowing them to govern more effectively. The dissertation contextualizes these Chinese ethnographic documents in the historical, political, and social milieu in which they were created; explores their genesis and development over time; compares them with other, imperially commissioned representations of the Qing (1644-1911) empire; and finally considers them in light of scholarship on the development of ethnographic representation in the West. Altogether I have examined eighty-two albums housed in museums and libraries in Asia, the United States, and Europe. Sixty-five of these albums concerned peoples living in Guizhou province. Albums also exist for Yunnan, Guangdong, Hunan, and Taiwan. An appendix contains full bibliographical information on each.; Although the Miao albums are a product of the eighteenth century, they have roots in earlier pictorial and textual representations including imperially commissioned illustrations of tributary peoples and relevant sections of the standard histories of China's dynasties. Yet, the Miao albums and contemporaneous textual accounts differ in quality and substance from earlier accounts in their emphasis on direct observation, increasingly complex system of categorization and naming, and level of detail regarding social customs and geographic location.; I propose there is a link between the Qing Dynasty's "visualization" of minority peoples on paper, and the will to understand, define, and control its subjects and territory. In their manner of collecting, organizing, and conveying information, the albums suggest a degree of familiarity with political technologies that harness the acquisition of "scientific" knowledge to the goals of the state. In the epilogue I raise the question of whether a shift in epistemology may have accounted for the development of eighteenth-century Chinese ethnography, and whether this shift may have been catalyzed by the presence of European Jesuit missionaries at the Qing court.
机译:本论文探讨了18世纪中国西南边疆人口民族志文本插图中所举例说明的知识的收集和分类。这些文件被称为“苗族专辑”,其最初目的是为了使官员了解不同少数民族的习惯和习俗,从而使他们可以更有效地进行管理。论文将这些中国民族志文献从其创建的历史,政治和社会环境中进行了背景研究。探索它们的起源和发展;将它们与清朝(1644-1911)帝国的其他帝国委托代表作比较;最后根据西方民族志学发展的学术研究来考虑它们。我总共检查了亚洲,美国和欧洲的博物馆和图书馆中存放的82张专辑。这些专辑中有65张与生活在贵州省的人们有关。还为云南,广东,湖南和台湾发行了专辑。附录包含有关每个书目的完整书目信息。尽管苗族专辑是18世纪的产物,但它们起源于早期的图形和文字表现形式,包括对朝贡人民的帝国委托插图和中国王朝标准史的相关部分。然而,苗族专辑和当时的文字记载在质量和内容上与早期的记载有所不同,它们强调直接观察,日益复杂的分类和命名系统以及关于社会习俗和地理位置的详细程度。我认为,清代在纸面上对少数民族的“可视化”与理解,定义和控制其主题和领土的意愿之间存在联系。通过收集,组织和传达信息的方式,专辑暗示了一定程度的政治技术,这些技术利用对国家目标的“科学”知识的获取。在结语中,我提出一个问题:认识论的转变是否可能解释了18世纪中国民族志的发展,以及这种转变是否可能是由于欧洲耶稣会传教士在清廷的存在所促成的。

著录项

  • 作者

    Hostetler, Laura.;

  • 作者单位

    University of Pennsylvania.;

  • 授予单位 University of Pennsylvania.;
  • 学科 History Asia Australia and Oceania.; Anthropology Cultural.; Art History.
  • 学位 Ph.D.
  • 年度 1995
  • 页码 405 p.
  • 总页数 405
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界史;人类学;艺术史、艺术思想史;
  • 关键词

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