首页> 外文学位 >Life into art: The pseudo-autobiography in post-revolutionary Russian literature (Chingiz Aitmatov, Iurii Valentinovich Trifonov, Andrei Makine, Osip Mandel'shtam).
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Life into art: The pseudo-autobiography in post-revolutionary Russian literature (Chingiz Aitmatov, Iurii Valentinovich Trifonov, Andrei Makine, Osip Mandel'shtam).

机译:艺术的生命:革命后的俄罗斯文学中的伪自传(Chingiz Aitmatov,Iurii Valentinovich Trifonov,Andrei Makine,Osip Mandel'shtam)。

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摘要

This dissertation concerns the interpretation of the pseudo-autobiographical writings of Osip Mandelstam, Chingiz Aitmatov, Yuri Trifonov, and Andrei Makine.; The first chapter contains a brief overview of literary theory relevant to my thesis, including theory about genre study and about autobiographical genres. Since Andrew Baruch Wachtel was the first to formulate a definition of the pseudo-autobiography, in The Battle for Childhood: Creation of a Russian Myth (Stanford: Stanford UP, 1990), a summary of his main points is provided.; In subsequent chapters, I analyze the following works from the point of view of pseudo-autobiography: Mandelstam's The Egyptian Stamp and The Noise of Time, Aitmatov's Jamila, Trifonov's The House on the Embankment and Makine's Dreams of My Russian Summers. I discuss the form, content, and voice structure of each work; Besides arguing that these works can be read as pseudo-autobiographies, I show that the genre has undergone formal, structural, and thematic changes since the October Revolution. The final chapter is a comparative one, in which I discuss how these new pseudo-autobiographies compare to their predecessors and to each other. For example, innovations in narrative structure have taken place, as illustrated in Mandelstam's The Egyptian Stamp and Trifonov's The House on the Embankment, which feature shifts between first and third person narration. Writers of more recent pseudo-autobiographies have also experimented with the amount of autobiographical material used. As a result, Wachtel's definition requires some revision in order to reflect these modifications.; Furthermore, the works studied by Wachtel have certain themes in common. Not all of the traditional themes occur in the texts I analyze, while new ones reflecting the Soviet period appear, such as collectivization, Stalin's purges and World War II. Another theme that is prevalent among my chosen texts is the creation of a work of literature or art.
机译:本文涉及对Osip Mandelstam,Chingiz Aitmatov,Yuri Trifonov和Andrei Makine的伪自传著作的解释。第一章简要概述了与本论文相关的文学理论,包括关于体裁研究和自传体裁的理论。自从安德鲁·巴鲁克·瓦赫特尔(Andrew Baruch Wachtel)第一个提出伪自传的定义以来,他的主要观点摘要在《斜体》《童年之战:创造俄罗斯神话》(斯坦福大学:Stanford UP,1990年)中提出。提供。在接下来的章节中,我将从伪自传的角度分析以下作品:曼德尔斯坦的埃及邮票时间的噪音,艾塔玛托夫的 Jamila ,Trifonov的路堤上的房子和Makine的我的俄罗斯夏日之梦。我讨论每件作品的形式,内容和声音结构;除了争论这些作品可以被理解为伪自传,我还表明,自从十月革命以来,这种类型经历了形式,结构和主题的变化。最后一章是比较性的一章,在其中我讨论了这些新的伪自传与前人以及彼此之间的比较。例如,叙事结构的创新,如曼德尔斯坦(Mandelstam)的《 埃及邮票》 和Trifonov的《堤岸上的房子》 所示,其特征在于第一人称和第三人称叙述之间的转换。较近的伪自传传记的作者也对所用的自传材料进行了实验。结果,Wachtel的定义需要进行一些修改以反映这些修改。此外,Wachtel研究的作品具有某些共同的主题。我分析的文本中并非所有传统主题都出现,而反映苏联时期的新主题出现了,例如集体化,斯大林的吹扫和第二次世界大战。在我选择的文本中,另一个普遍的主题是创作文学或艺术作品。

著录项

  • 作者

    Petion, Juliette M.;

  • 作者单位

    Brown University.;

  • 授予单位 Brown University.;
  • 学科 Literature Slavic and East European.; Literature Modern.; Biography.
  • 学位 Ph.D.
  • 年度 1999
  • 页码 191 p.
  • 总页数 191
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 各国文学;世界文学;传记;
  • 关键词

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