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The constitution of trust: Legal fiction and Victorian epic.

机译:信任的构成:法律小说和维多利亚时代的史诗。

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摘要

The subject of this dissertation is the relation between equity and trust in three Victorian "epics": Alfred Tennyson's Idylls of the King (1842--85), Robert Browning's The Ring and the Book (1868--9), and George Eliot's Daniel Deronda (1876).;In the middle ages, England evolved a dual system of justice: Common law courts decided issues of "law," and the Court of Chancery decided issues of "equity." This division endured until the Judicature Acts of 1873--5 abolished Chancery. Traditionally conceived, equity---including the equitable instrument known as "the trust"---aspired to achieve a fair and flexible remedy based on the unwritten dictates of natural law or the monarch's conscience. In the legal-positivist ethos of the Victorian era, however, the natural-law maxims of equity were seen as too tacit to reflect anything but the arbitrary whim of the Chancellor.;Banished from law, equity found a home in Victorian literature. Poets and novelists fostered an equitable sense of tacit trust by exploiting legal fictions that largely went without saying and that therefore helped constitute a common culture of trust. The literary duty of holding trust itself "in trust," as it were, was especially suited to works written in the epic strain, for epics had always harbored an embedded literary genealogy tracing the movement of culture from nation to nation---with the latest epic stewarding its cultural cargo for the sake of epics and future epochs.;The epics of Tennyson, Browning, and Eliot fulfill this trust by exploiting variants of one key legal fiction: that of "the king's two bodies," which portrays the monarch as possessing both a flesh-and-blood "body natural" that promulgates positive law, and a mystical body politic that reflects the higher, unwritten law of equity. Through this fiction, Tennyson, Browning and Eliot not only examine the foundations of monarchy, executive power, and commercial credit respectively, but also imaginatively reconstitute these institutions for a more contractual, republican, and fiduciary polity.
机译:本文的主题是维多利亚时代三部史诗中的公平与信任之间的关系:阿尔弗雷德·坦尼森(Alfred Tennyson)的《国王的田园诗》(1842--85),罗伯特·布朗宁的《指环与书》(1868--9)和乔治·艾略特的丹尼尔德隆达(Deronda,1876年);在中世纪,英国发展了双重司法制度:普通法法院裁定“法律”问题,而检察法庭裁定“平等”问题。这种分裂一直持续到1873--5年《司法法》废除了Chancery。传统上讲,公平(包括称为“信托”的公平工具)旨在根据自然法或君主良心的未成文规定,寻求一种公正而灵活的补救办法。然而,在维多利亚时代的法律实证主义精神中,公平的自然法则准则被认为是太隐性的,无法反映出总理的任意心血来潮;公平被法律驱逐,在维多利亚时代的文学中找到了家。诗人和小说家通过利用法律小说建立了公平的默契信任感,这些小说在很大程度上没有说出来,因此有助于构成一种共同的信任文化。保持自身“信任”本身的文学义务特别适合于史诗形式的作品,因为史诗历来具有内在的文学家谱,可以追溯文化在不同民族之间的运动。为了保护史诗和未来的时代,史诗管理着它的文化遗产。;廷尼森,勃朗宁和艾略特的史诗通过利用一种主要的法律小说的变体来实现这种信任:一种描绘国王的“国王的两个身体”。既拥有颁布积极法律的有血有肉的“自然法则”,又具有反映更高的,未成文的平等法则的神秘政治法则。通过这部小说,坦尼森,布朗宁和艾略特不仅分别考察了君主制,行政权力和商业信贷的基础,而且还以富有想象力的方式重构了这些机构,以建立更具契约性,共和制和受信政治。

著录项

  • 作者

    Mallen, Richard David.;

  • 作者单位

    University of Virginia.;

  • 授予单位 University of Virginia.;
  • 学科 Literature English.
  • 学位 Ph.D.
  • 年度 2000
  • 页码 247 p.
  • 总页数 247
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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