首页> 外文学位 >Nathaniel Hawthorne and Toni Morrison: Multiple interpretations in 'The Scarlett Letter' and 'Beloved'.
【24h】

Nathaniel Hawthorne and Toni Morrison: Multiple interpretations in 'The Scarlett Letter' and 'Beloved'.

机译:纳撒尼尔·霍桑(Nathaniel Hawthorne)和托尼·莫里森(Toni Morrison):在《红字》和《心爱的人》中有多种解释。

获取原文
获取原文并翻译 | 示例

摘要

During my comparison of Toni Morrison's Beloved to Nathaniel Hawthorne's The Scarlet Letter, I realized it was necessary to learn the definitions of the terms symbolism, conflict, identity, alienation and isolation as they relate to multiple interpretations in literature. These terms and literary devices are essential to the reader understanding the author's method. While reading The Scarlet Letter I was intrigued by Hawthorne's use of the letter A. The letter itself becomes a character and seems to change meaning throughout the novel just like the main characters and events of the novel. Initially, the A represents Hester Prynne's adulterous affair with Arthur Dimmesdale. Throughout the novel, the A that Hester wears on her chest becomes ambiguous as it represents her life, her situation, society, everyone and everything.;Beloved is a complex novel that can be interpreted in various ways as well. Symbolism seems to be a common theme through many of Morrison's novels. While I was enrolled in The Toni Morrison Seminar during my last semester of classes, I read criticism by Mae G. Henderson comparing Beloved to The Scarlet Letter. Before reading Henderson's comparison I never made the connection between these two profound novels. Ever since reading Henderson's comparison, all I've been able to do now is make many comparisons of my own.;These two novels affect me in different ways. I enjoyed The Scarlet Letter the first time I read it because of my interest in multiple interpretations. I was fascinated by the constant changes in the meaning of the letter A. The second time I read the novel, the events became clearer and by the third time I saw aspects of the letter and the characters that I did not see on the first two readings. My experience with Morrison, specifically Beloved, was quite different. I always have to read the first chapter or first couple of chapters of a Morrison novel several times to be able to follow the rest of the text comprehensively. Once I am able to successfully follow the text, I enjoy Morrison's novels. My initial reading of Beloved was in the early nineteen-nineties and upon completion of the novel I was left confused and intimidated by Morrison's style of writing. During my second reading of the novel, my confusion was cleared up, my questions were answered and the ideas and concepts of the novel became clearer. I now understood the reason why Morrison used re-memory and by my third reading of the novel, her method made perfect sense because when we are telling a story, we have to go back in our memory and tell the events how we remember them.;Just like Hawthorne, Morrison uses literary devices and techniques such as symbolism, conflict, identity, alienation and isolation to help the reader understand the storyline as well as the characters. These methods create a multi-faceted way to read the text and interpret the meaning. There is a relationship between the author and reader. We see that although the meaning of the text is subject to individual reader interpretation, the author has to give the reader an incentive to spark those different interpretations.
机译:在比较托尼·莫里森的《心爱的人》和纳撒尼尔·霍索恩的《红字》时,我意识到有必要学习象征主义,冲突,认同,异化和孤立等术语的定义,因为它们与文学中的多种解释有关。这些术语和文学手段对于读者理解作者的方法至关重要。在阅读《红字》时,霍桑对字母A的使用引起了我的兴趣。字母本身成为一个字符,并且似乎在整个小说中改变了含义,就像小说的主要人物和事件一样。最初,A代表Hester Prynne与Arthur Dimmesdale的奸淫。在整部小说中,海丝特戴在她胸前的A变得模棱两可,因为它代表了她的生活,处境,社会,每个人和每件事。《宠儿》是一部复杂的小说,也可以用多种方式来解释。在莫里森的许多小说中,象征主义似乎是一个共同的主题。在上学期我参加了托尼·莫里森研讨会时,我读到梅·亨德森的批评,将《心爱的人》与《红字》进行了比较。在阅读亨德森的比较之前,我从未将这两本深刻的小说联系起来。自从阅读亨德森的比较以来,我现在所能做的就是自己做许多比较。这两本书以不同的方式影响着我。第一次阅读《红字》是因为我对多种解释感兴趣。我对字母A含义的不断变化着迷。第二次阅读小说时,事情变得更加清晰,第三次我看到了字母和前两个字母中没有看到的字符的各个方面阅读。我对Morrison(特别是心爱的人)的经历与众不同。我总是必须多次阅读一部莫里森小说的第一章或前几章,才能全面阅读本书的其余部分。一旦我能够成功地跟随文字,我就会喜欢莫里森的小说。我最初读《心爱的人》是在19世纪初期,当小说完成时,我被莫里森的写作风格所迷惑和恐吓。在对小说进行二读时,我的疑惑得到了消除,我的问题得到了回答,小说的思想和观念也变得更加清晰。我现在了解了莫里森使用记忆的原因,并且在我对小说进行三读时,她的方法非常有道理,因为当我们讲故事时,我们必须回想起并告诉事件我们如何记住它们。就像霍桑一样,莫里森也使用象征意义,冲突,身份,疏离和孤立等文学手段和技术来帮助读者理解故事情节和人物。这些方法创建了一种多方面的方式来阅读文本和解释含义。作者与读者之间存在联系。我们看到,尽管文本的含义取决于读者的个人解释,但作者必须激励读者激发这些不同的解释。

著录项

  • 作者

    Mounsey, Candace M.;

  • 作者单位

    Long Island University, The Brooklyn Center.;

  • 授予单位 Long Island University, The Brooklyn Center.;
  • 学科 Education Language and Literature.;Literature American.
  • 学位 M.A.
  • 年度 2010
  • 页码 54 p.
  • 总页数 54
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:36:46

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号