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Looking for a safe harbor: Art making as a process of constructing meaning through action, reflection, and interpretation.

机译:寻找安全港:艺术创作是通过行动,反思和解释来建构意义的过程。

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摘要

My research will present a whole picture of what is at the heart of art making and the importance of authentic teaching and learning in the art classroom. From 1997 to 2000, I documented my teaching experiences at the University of Iowa, and my visits and interviews with the directors, professors, teachers and students of several art schools in Taiwan. In addition, I conducted two art workshops in Taiwan in the summer of 1999. Through documenting these activities, I gathered the data I need to reconstruct events over the course of three years.; My approach is narrative interpretation as informed by hermeneutic philosophy. I have woven the episodes of my teaching, my students' art making and my interviews into an historical account. As a result of my art teaching experience and research, I have realized that only an art curriculum that truly its core holds a praxis of art and life bound through critical reflection and action, can make authentic teaching and learning possible in the art classroom.; Art is a means for our students to reflect upon their daily experiences and to share as well as reshape the meaning of their lives. Art reaches beyond what is established. The encounters with art can release our students' imagination, extend their lived experiences, and renew their understanding of their own, as well as others', stories. The art world is a world of interpreted things and it is a constructed world. Greene reminded us to view it as contingent and always open to expansion and revision (Greene, Maxine. Releasing the Imagination. San Francisco: Jossey-Bass Publishers, 1995). In a similar way, we, as art educators, should see our art classroom and art curriculum as part of the art world—a world open to interpretation and a world always under construction. Perhaps the new discoveries and new ideas generated in our art classrooms can inspire in Taiwan to open a new dimension to forging identity.
机译:我的研究将展示艺术创作的核心内容以及艺术课堂中真实教与学的重要性。从1997年到2000年,我记录了自己在爱荷华大学的教学经历,以及对台湾几所艺术学校的主任,教授,老师和学生的访问和访谈。另外,我在1999年夏天在台湾举办了两次艺术工作坊。通过记录这些活动,我收集了三年来重建活动所需的数据。我的方法是在解释哲学的指导下进行叙事解释。我把教学的情节,学生的艺术创作和访谈都整理成了历史记录。通过我在艺术教学方面的经验和研究,我认识到,只有真正以其核心为基础的艺术课程通过批判性反思和行动来约束艺术和生活,才可以在艺术教室中进行真实的教学。艺术是我们的学生反思自己的日常经历,分享和重塑生活意义的一种手段。艺术超越了既定的范围。与艺术的相遇可以释放我们学生的想象力,扩展他们的生活经验,并重新认识他们自己以及他人的故事。艺术世界是一个有解释的事物的世界,是一个被构造的世界。格林提醒我们将其视情况而定,并且随时可以扩展和修订(Greene,Maxine。释放想象力。旧金山:Jossey-Bass Publishers,1995)。同样,我们作为艺术教育者,应该将我们的艺术教室和艺术课程视为艺术世界的一部分,这是一个易于解释的世界,一个始终在建设中的世界。也许我们的艺术教室中产生的新发现和新想法可以启发台湾为伪造身份开辟一个新的维度。

著录项

  • 作者

    Lai, Wen-Shu.;

  • 作者单位

    The University of Iowa.;

  • 授予单位 The University of Iowa.;
  • 学科 Education Art.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 171 p.
  • 总页数 171
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 J-4;
  • 关键词

  • 入库时间 2022-08-17 11:47:10

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