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The evolution of post-baccalaureate students' conception of the artist-teacher role during a teacher certification program.

机译:学士学位后学生在教师认证计划中对艺术家-老师角色概念的演变。

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摘要

This study of seven post-baccalaureate students looks at how they interpret the role of art teacher through a fifteen month teacher licensure program in Art Education. Qualitative methods were used to collect data three times over fifteen months. The goal is to understand how prior experience in making art in the culture of studio arts affected understandings about teaching art within the culture of education. Three questions are addressed: (1) How do preservice post-baccalaureate students perceive the role of artist-teacher at different times throughout their teacher education studies? (2) What knowledge do they draw on that influences and affects their concepts of the artist/teacher role? (3) Are there commonalties between cases within the cohort in how students interpret the artist/art teacher role? Understanding the kinds of beliefs and knowledge about the image of artist/art teacher that post-baccalaureate students bring to teaching can help teacher educators bridge these two different fields of study. Grounded theory served as the lens to interpret interviews, conceptual maps, written responses, and art works.; It was found that students bring a kaleidoscope of artist/art teacher images with them. Rather than any participant having a solidified group of teacher images which evolved, images appeared in flux and constantly changing. Participants' images were based in prior experiences. The experiences they encountered required new constructions and reconstruction of those images. The artist/art teacher images of participants in this study were found to be contextual, based on experience, tacit, and uniquely constructed forming a complex and fluid system.
机译:这项针对7名获得学士学位的学生的研究着眼于他们如何通过为期15个月的艺术教育教师许可计划来解释艺术老师的角色。在15个月内,使用定性方法收集了3次数据。目的是了解在工作室艺术文化中进行艺术创作的先验经验如何影响对教育文化中的艺术教学的理解。提出了三个问题:(1)毕业后学前教育的学生在整个师范教育学习过程中的不同时间如何看待艺术家-老师的角色? (2)他们利用哪些知识来影响和影响他们对艺术家/老师角色的概念? (3)队列中案例之间在学生如何解释艺术家/美术老师角色方面是否有共同点?了解学士学位后的学生带入教学的关于艺术家/美术老师形象的各种信念和知识,可以帮助老师教育者在这两个不同的研究领域之间架起桥梁。扎根的理论是解释访谈,概念图,书面回应和艺术品的镜头。发现学生们随身携带了一个万花筒,上面有艺术家/美术老师的图像。并非任何参与者都有一组不断发展的教师图像,图像却以不断变化的方式出现。参与者的图像基于先前的经验。他们遇到的经验需要对这些图像进行重新构造和重建。这项研究参与者的艺术家/美术老师图像是根据经验,默契和独特构造而形成的,它们构成了复杂而流畅的系统。

著录项

  • 作者

    Johnson, Cornelia Weiss.;

  • 作者单位

    University of Minnesota.;

  • 授予单位 University of Minnesota.;
  • 学科 Education Art.; Education Teacher Training.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 259 p.
  • 总页数 259
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 教师;
  • 关键词

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