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Inventing the Fiesta City: Heritage and performance in San Antonio's public culture.

机译:嘉年华城的发明:圣安东尼奥公共文化的传承与表现。

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摘要

"Inventing the Fiesta City: Heritage and Performance in San Antonio's Public Culture" examines the cultural performance of race and gender through the history of San Antonio's central public festival, Fiesta San Antonio. In this interdisciplinary study, the festival is a vehicle for expressing multiple, contradictory ideas about ethnic identity, womanhood, manhood and social class.; Fiesta San Antonio occupies an important place in the city's economy and its collective memory. As Fiesta developed, the festival embodied key social struggles of San Antonio's population over the twentieth century. Beginning only fourteen years after the railroad arrived in San Antonio, Fiesta explained this modernizing city to itself. Commemorating Texan independence and invigorating the local tourist industry, Fiesta shaped San Antonio's public memory. As the festival expanded, Fiesta's institutions were metaphors for larger social transformations as well, particularly between Anglos and Mexican Americans. At times the festival reinforced the most damaging racial and ethnic stereotypes of the Jim Crow era, and after World War II Fiesta marked important alliances among an ethnically diverse middle class, as the Mexican American generation defined its place in the city's public life. The festival also represented elite women's concepts of history, linking Anglo women's ideas of cultural preservation to the invention of ethnic tourism.; The study focuses on the intersections of gendered analysis and ethnic studies, and the boundaries of regional studies, examining how San Antonio's cultural performances cross multiple borders of the U.S. South, the West, and Mexico. In my analysis, San Antonio is the center for re-imagining the relationships among national and transnational regions. Combining historical/archival research with interviews and participant observation, "Inventing the Fiesta City" gives voice to many social actors who organize and participate in Fiesta. Scholarship on memory, nostalgia and commemoration, work on gender in southern society, and Mexican Americans in the Southwest also inform the analysis.
机译:“发明嘉年华城市:圣安东尼奥公共文化的传承与表现”通过圣安东尼奥中央公共节日嘉年华的历史来考察种族和性别的文化表现。在这项跨学科研究中,音乐节是表达有关种族身份,女性,男子气概和社会阶级的多种矛盾观点的媒介。嘉年华圣安东尼奥在城市的经济及其集体记忆中占有重要地位。随着嘉年华的发展,该节日体现了二十世纪圣安东尼奥人民的主要社会斗争。铁路到达圣安东尼奥市仅十四年后,嘉年华就向这座现代化城市解释了自己。为了纪念德克萨斯人独立并振兴当地旅游业,嘉年华塑造了圣安东尼奥市的公共记忆。随着音乐节的扩大,嘉年华的机构也隐喻了更大的社会变革,尤其是盎格鲁人与墨西哥裔美国人之间的社会变革。节日有时强化了吉姆·克罗时代最具破坏性的种族和种族定型观念,二战后的嘉年华标志着不同种族的中产阶级之间的重要联盟,因为墨西哥裔美国人一代人定义了其在城市公共生活中的地位。该节日还代表了精英妇女的历史观念,将盎格鲁妇女的文化保护观念与民族旅游的发明联系起来。这项研究的重点是性别分析和种族研究的交叉点以及区域研究的边界,研究了圣安东尼奥的文化表演如何跨越美国南部,西部和墨西哥的多个边界。在我的分析中,圣安东尼奥是重塑国家与跨国地区之间关系的中心。将历史/档案研究与访谈和参与者观察相结合,“发明嘉年华城”使许多组织和参与嘉年华的社会参与者发声。有关记忆,怀旧和纪念的奖学金,南部社会性别研究以及西南部的​​墨西哥裔美国人的研究也为分析提供了依据。

著录项

  • 作者

    Ehrisman, Laura Elizabeth.;

  • 作者单位

    The University of Texas at Austin.;

  • 授予单位 The University of Texas at Austin.;
  • 学科 American Studies.; Womens Studies.; Sociology Ethnic and Racial Studies.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 295 p.
  • 总页数 295
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 社会学;民族学;
  • 关键词

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