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An exploration of the idea of rhythm in metaphysics and Christian theology.

机译:探索形而上学和基督教神学中的节奏概念。

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Metaphysics, as it has been employed by Christian theology in the West, has historically been a dialectic between the Platonic (and Neo-Platonic) concept of harmony and the Aristotelian notion of substance with regard to understanding the enduring identity of a thing through time and change. Recent and contemporary theologians such as Paul Tillich and Robert Neville have outlined sophisticated theological systems built upon the idea of harmony (understood in various ways as Logos/pattern/order) as a means of bringing theology into greater dialogue with a wider body of intellectual disciplines. Their understandings, however, do not envision harmony in its fullest sense of dynamism and movement. In order to reflect our late-modern scientific understanding of the universe as comprised of energy transactions, expansions and concentrations, Christian theology needs to envision harmony in a radically fluid and dynamic manner. The philosophical task of metaphysics is to outline a coherent system disciplines that include scientific fields, such as cosmology, as well as more speculative fields of inquiry, such as theology. This project, therefore, is an effort to address a weakness in Western theology and metaphysics with respect to the notions of identity and endurance through change by reinterpreting the metaphysical concept of harmony, the deep structural pattern of reality, through the idea of rhythm. A rhythmic metaphysics, when proposed modestly within a pragmatist methodology of fallibility, offers contemporary theologians a viable and nonfoundational means of conducting cross-cultural theological reflection. This study argues for how rhythm, as harmony-in-time or “discursive” (dynamic) harmony, can be the essential glue of an “iterative identity”, allowing individuals as processes to enter into relationships without becoming wholly relativized. This idea of “iterative identity”, developed through the rhythmic metaphysics outlined in this project, is then applied conceptually to individual spiritual identity, the identity of a religious community, and the continuing identity of a worship service. Finally, iterative identity provides a Trinitarian notion of the divine life, as well as a Trinitarian understanding of the self-in-relation-to-God, that is compatible to the cultural and scientific sensibilities of late-modern Christian churches.
机译:正如西方基督教神学所采用的形而上学,从历史上讲一直是柏拉图式(和新柏拉图式)的和谐概念与亚里士多德的实质概念之间的辩证法,以理解事物在时间和时间上的持久身份。更改。保罗·提利希和罗伯特·内维尔等近代和当代神学家已经概述了建立在和谐思想基础上的复杂神学体系(以各种方式来理解徽标/图案/顺序),以此作为与广泛学科领域进行神学对话的一种手段。然而,他们的理解并没有预见到和谐就其充满活力和动感。为了反映我们对宇宙的近代科学理解,包括能量交换,膨胀和集中,基督教神学需要以一种从根本上流动和动态的方式设想和谐。形而上学的哲学任务是概述一个连贯的系统学科,包括科学领域(例如宇宙学)以及更多投机性的研究领域(例如神学)。因此,该项目致力于通过节奏来重新解释和谐的形而上学概念,现实的深层结构模式,从而通过改变来解决西方神学和形而上学在认同和耐力方面的弱点。有节奏的形而上学在实用主义的易错方法中被谦虚地提出时,为当代神学家提供了一种进行跨文化神学反思的可行且无基础的手段。这项研究认为,节奏的协调性,如时间上的和声或“分散的”(动态)和声如何可以成为“迭代身份”的基本粘合剂,从而使个体作为过程进入关系而不必完全相对化。通过该项目概述的有节奏的形而上学发展出的“迭代身份”概念随后在概念上应用于个体的精神身份,宗教社区的身份以及礼拜活动的持续身份。最后,迭代身份提供了三位一体的神性生活概念,以及三位一体的对与上帝的自我关系的理解,与现代基督教教会的文化和科学敏感性相适应。

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