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Cultural representations and museums: The construction of ethnic identity in Chicago's Chinatown.

机译:文化代表和博物馆:芝加哥唐人街的族裔认同建构。

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摘要

This study examines the cultural representation and ethnic identity of Chinese Americans in Chicago's Chinatown through an analysis of ethnic exhibits in museums, issues related to the invention of traditions, and the politics of ethnic identity. Chicago's Chinatown resembles a living museum in which Chinatown members negotiate their identity through cultural representations, interactions with outsiders, ethnic celebrations, and community museums.;Case studies on Chinatown museums not only reflect the changing concept of Chinese ethnicity in social and historical contexts, but also indicate the current contradictions of transnational migration. While the Ling Long Museum (1933-1970s) featured ancient Chinese culture and history related to China, the Chinese-American Museum of Chicago (2005---present) displays an ethnic Chinese American culture that has become part of the diverse American culture. This change in the portrayal of Chinese ethnicity in Chinatown museums mirrors the cultural practices in the community, including identity construction, immigrant trajectory, language change, ethnic boundaries, and community politics. It is these contesting social forces that shape the cultural representations of the Chinatown museums.;Both Chinatown and the Chinese-American Museum of Chicago represent Chinese immigrants' responses and resistance to mainstream society's portrayal of the Chinese American. Chinatown museums function as a cultural symbol and increase the visibility of the Chinese community in a multicultural society. In order to demonstrate cultural uniqueness, Chinatown has maintained its classic Chinese characteristics and recreated an "Oriental" atmosphere. The traditional Chinese culture and nostalgia for early immigrants preserved in Chinatown are detached from the views of contemporary Chinatown residents. However, this representation of Chineseness has helped generate an exotic and Oriental ethnic image that satisfies the expectations of outside visitors.
机译:这项研究通过分析博物馆中的种族陈列品,与传统发明有关的问题以及种族认同的政治学,研究了芝加哥唐人街的华裔美国人的文化表征和种族认同。芝加哥的唐人街就像一个活着的博物馆,其中的唐人街成员通过文化表征,与外界的互动,民族庆典和社区博物馆来谈判自己的身份;对唐人街博物馆的案例研究不仅反映了中国人在社会和历史背景下不断变化的观念,而且也表明了当前跨国移民的矛盾。玲珑博物馆(1933-1970年代)展示了中国古代文化和与中国有关的历史,而芝加哥华裔美国博物馆(2005年至今)则展示了一种华裔美国文化,该文化已成为美国多元文化的一部分。唐人街博物馆对华裔的描绘方式发生了变化,这反映了社区的文化习俗,包括身份认同,移民轨迹,语言变化,种族边界和社区政治。正是这些竞争的社会力量塑造了唐人街博物馆的文化表现形式。唐人街和芝加哥华裔美国人博物馆都代表了华裔移民对主流社会对华裔美国人的描绘的回应和抵抗。唐人街博物馆作为一种文化象征,并在多元文化社会中提高了华人社区的知名度。为了展示文化的独特性,唐人街保持了其经典的中国特色,并营造了一种“东方”的氛围。唐人街保存下来的中国传统文化和对早期移民的怀旧与当代唐人街居民的看法格格不入。但是,这种中国性的表现帮助产生了一种异国情调的东方民族形象,满足了外界游客的期望。

著录项

  • 作者

    Ko, Jen-Li.;

  • 作者单位

    The University of Wisconsin - Milwaukee.;

  • 授予单位 The University of Wisconsin - Milwaukee.;
  • 学科 Anthropology Cultural.;Museology.;Asian American Studies.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 316 p.
  • 总页数 316
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:45:04

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