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Self-Efficacy in Music Performance: Measuring the Sources among Secondary School Music Students.

机译:音乐表演中的自我效能:衡量中学音乐学生的来源。

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摘要

The purpose of this study was to develop a greater understanding of self-efficacy in music performance. I sought to (a) contribute to fundamental knowledge of self-efficacy in music performance, (b) determine whether scores from the Music Performance Self-Efficacy Scale (MPSES) were valid and reliable, and (c) provide insights for developing self-efficacy among secondary school music students. Participants (N = 290) were middle and high school students in band, chorus, and string orchestra ensembles from 10 schools in the southeast and western regions of the United States. Participants completed four online questionnaires: (a) Music Performance Self-Efficacy Scale, (b) Sources of Middle School Mathematics Self-Efficacy Scale, (c) Self-Esteem of Musical Ability, and (d) Advanced Measures of Music Audiation. Teachers provided 5-point Likert-type ratings of their student's music self-efficacy.;Data from the MPSES demonstrated good fit with Bandura's proposed self-efficacy model (SRMR = .06, RMSEA = .06). The strength of the relationships between the sources and composite construct were consistent with theory and findings from other studies. Mastery experience was strongest, followed by verbal/social persuasion, physiological state, and vicarious experience. No differences in responses were found between middle and high school students, or among band, chorus, and string orchestra students. Items on the MPSES were also found to assess participants equally across grade levels.;Music aptitude was found to predict self-efficacy in music performance (beta = .16) and accounted for 3% of the variance in self-efficacy. This finding raises questions about the role of self-efficacy in mediating the relationship between music aptitude and music achievement. The Music Performance Self-Efficacy Scale was found to be a valid and reliable measure of self-efficacy in music performance. Evidence of validity was based on test content, response process, and internal structure, along with convergent, discriminant, and multi-method relationships. Evidence of reliability was based on test-retest correlation (r = .87) and internal consistency (alpha = .88).;Recommendations for researchers were to link the sources of self-efficacy to performance achievement; explore self-efficacy's relationship with aptitude and achievement; and expand the investigation to other populations. Recommendations for educators focused on improving understanding of self-efficacy and interpreting MPSES results.
机译:这项研究的目的是加深对音乐表演自我效能的理解。我力求(a)为音乐表演的自我效能感基础知识做出贡献;(b)确定“音乐表演自我效能感量表(MPSES)”中的分数是否有效和可靠;以及(c)为发展自我效能感提供见解中学音乐系学生的效能。参加者(N = 290)是来自美国东南和西部地区10所学校的乐队,合唱和弦乐团合奏的初中和高中学生。参与者完成了四份在线问卷:(a)音乐表演自我效能感量表;(b)中学数学自我效能感量表的来源;(c)音乐能力自尊心;以及(d)音乐听觉的高级量度。老师对学生的音乐自我效能感提供了5点Likert型评分。MPSES的数据证明与Bandura提出的自我效能感模型非常吻合(SRMR = .06,RMSEA = .06)。来源与复合结构之间关系的强度与其他研究的理论和发现一致。掌握经验最强,其次是语言/社会说服力,生理状态和替代经验。在中学生和高中生之间,乐队,合唱团和弦乐队学生之间的反应没有发现差异。 MPSES上的项目也被发现可以平均评估各个年级的参与者。音乐能力被发现可以预测音乐表演的自我效能(β= .16),占自我效能方差的3%。这一发现提出了关于自我效能在调节音乐才能和音乐成就之间关系中的作用的疑问。音乐表演自我效能感量表被认为是对音乐表演自我效能感的有效和可靠度量。有效性的证据是基于测试内容,响应过程和内部结构,以及会聚,判别和多方法关系。可靠性的证据是基于重测-重测相关性(r = 0.87)和内部一致性(alpha = .88)。;对研究人员的建议是将自我效能感的来源与绩效实现联系起来;探索自我效能感与能力和成就的关系;并将调查范围扩大到其他人群。给教育者的建议集中在增进对自我效能的理解和解释MPSES结果。

著录项

  • 作者

    Zelenak, Michael S.;

  • 作者单位

    University of South Florida.;

  • 授予单位 University of South Florida.;
  • 学科 Education Tests and Measurements.;Music.;Education Music.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 186 p.
  • 总页数 186
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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