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New York State early-career teachers' selection and use of pedagogical approaches in elementary general music.

机译:纽约州早期职业教师在基本普通音乐中的教学方法的选择和使用。

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摘要

A mixed methods two-phase sequential explanatory design with concurrent embedded design addressed these questions: (1) (A) Which pedagogical approaches (Dalcroze, eclectic, Kodaly, Music Learning Theory, Orff) are chosen by teachers as they begin their careers? (B) Do their approaches change over time? (C) Why or why not? (2) (A) What influences teacher choice of pedagogical approach? (B) In what ways, if any, are influences similar for teachers of varying pedagogical preferences? (3) In what ways and to what extent do elementary general music teachers use the pedagogical approaches with which they most strongly identify? Approximately 14% of the population of New York State elementary general music teachers with one to five years of experience completed the online survey. Three purposefully-selected volunteers participated in follow-up case studies.;Choice of pedagogical approach seems to be a complex decision involving the interplay of ten significant personal and professional influences in a manner unique to each teacher. Most participants called their teaching approach eclectic but many had never made any conscious choice. Almost half of teachers were still using their initial approach; one-third were not. The most frequently-given reasons for this were "what works" and "student needs." Adherents to the major approaches reported using some, but not all, of the "official" pedagogical practices and teaching techniques. Two conceptual categories subsumed the various themes that emerged as important to case study participants: providing a good music education to students, and doing personally fulfilling and enjoyable work. These categories were foundational to the teachers' career satisfaction and intrinsically linked to their choice of approach.;The connection of pedagogical approach to the two major concerns of early-career elementary general music teachers engenders some consequential implications. Pre-service and early career teachers should be made aware that they have a choice of approach---which matters---and that choice should take into account individuals' personal and professional experiences, preferences, and needs. The professional mindset should include an expectation of continuing professional development in the approach or approaches of choice. Organizations like AOSA, DSA, GIML, and OAKE can fill the gap where methods courses are currently unable to provide necessary depth.
机译:具有并行嵌入设计的混合方法两阶段顺序说明设计解决了以下问题:(1)(A)教师在开始职业时选择了哪些教学方法(达克罗兹,折衷主义,科达利,音乐学习理论,奥尔夫)? (B)他们的方法会随着时间改变吗? (C)为什么或为什么不呢? (2)(A)是什么影响教师对教学方法的选择? (B)对于不同教学偏爱的老师,影响(如果有的话)在哪些方面相似? (3)普通通识音乐教师会以什么方式和程度使用他们最强烈地认同的教学方法?拥有1至5年经验的纽约州初级普通音乐教师中,约有14%的人完成了在线调查。三名经过精心挑选的志愿者参加了后续案例研究。;选择教学方法似乎是一个复杂的决定,涉及十种个人和专业影响力的相互作用,这是每位老师所独有的。大多数参与者称他们的教学方法是折衷的,但许多人从未做出任何有意识的选择。几乎一半的教师仍在使用最初的方法。三分之一没有。最常见的原因是“行之有效”和“学生需求”。坚持使用主要方法的拥护者使用了一些但不是全部的“官方”教学实践和教学技术。两个概念类别包含了对于案例研究参与者来说很重要的各种主题:为学生提供良好的音乐教育,以及进行个人充实和愉快的工作。这些类别是教师职业满意度的基础,并与他们选择的方法有着内在的联系。将教学方法与早期职业普通音乐教师的两个主要问题联系起来,产生了一些必然的影响。应当使职前和职业生涯早期的老师知道他们有选择的方法-这很重要-并且这种选择应考虑到个人的个人和专业经验,偏好和需求。专业的心态应包括对选择方法的持续专业发展的期望。诸如AOSA,DSA,GIML和OAKE之类的组织可以填补当前方法课程无法提供必要深度的空白。

著录项

  • 作者

    Bugos, Kristen Marie.;

  • 作者单位

    State University of New York at Buffalo.;

  • 授予单位 State University of New York at Buffalo.;
  • 学科 Education Music.;Education Teacher Training.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 287 p.
  • 总页数 287
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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