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A page, a day: A history of the daily diary in America (Pennsylvania).

机译:一页一天:美国(宾夕法尼亚州)每日日记的历史。

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摘要

Many take the daily diary for granted. Historians mine diaries for quotes to enliven the retelling of a seminal event. Today, ordinary men and women---artists, professionals, students, or stay-at-home moms---clutch their DayRunners or Filofaxes with no inkling that their mass-produced yet personalized tomes have a history. These diaries that divvy up our lives into regulated and recurring units in a predigested format look and feel the way they do for a reason. Nevertheless, few scholars have lingered long enough on the question of a diary's design to tell us why. This dissertation aims to answer this question as well as explain the appeal and proliferation of this diary genre by tracing its development from its introduction in late eighteenth-century Philadelphia to its late twentieth-century successors.; Paying attention to both the form and content of the diaries, I enlisted the methodologies of material culture historians as well as historians of the book. I wanted to know who produced these printed diaries and who used them---not only how, but why. I assembled a database of more than 200 diary collections spanning two centuries, sampling from different geographic locales, and including a variety of users of both genders and diverse socio-economic backgrounds. To glean the motivations of diary producers, I sifted through company records, trade catalogs, and newspaper advertisements.; The introduction of this genre and its growing popularity as a diary form throughout the nineteenth century signaled a shift in the way early Americans recorded and imagined themselves. It appealed to nineteenth-century consumers because it reflected and reinforced the changes around them in the way it presented the market and shifting conceptions of time, while simultaneously allowing them to exercise an expanding tendency toward introspection in little to no time. The diary's utility hid its real power. It may look to us today like a slice of ephemera, a glorified engagement calendar containing antiquated banking tables and currency charts. Yet, for many drawn to its format, it was a primer for modernity, guiding them in the new ways of the world.
机译:许多人认为每日日记是理所当然的。历史学家会在日记中挖掘报价,以重述重大事件的重述。如今,普通男性和女性-艺术家,专业人士,学生或全职妈妈-抓住了DayRunners或Filofaxes,却毫不怀疑他们的大量生产而个性化的书本已经有历史了。这些日记将我们的生活分为几种形式,以一种预先消化的格式将其分为受监管的和重复出现的单元,其外观和感觉是有原因的。然而,很少有学者对日记的设计问题有足够长的时间来告诉我们原因。本论文旨在回答这一问题,并通过追溯从18世纪后期的费城引入到20世纪后期的继承者的发展轨迹,来解释这种日记类型的吸引力和扩散。在关注日记的形式和内容时,我列举了物质文化历史学家和这本书的历史学家的方法论。我想知道是谁制作了这些印刷的日记,以及谁使用了它们-不仅如此,而且为什么。我收集了一个数据库,该数据库包含两个世纪以来的200多个日记集,这些日记集来自不同的地理位置,并包括各种性别和不同社会经济背景的用户。为了收集日记制作者的动机,我筛选了公司记录,贸易目录和报纸广告。这种体裁的引入及其在整个19世纪作为日记形式的日益流行,标志着早期美国人记录和想象自己的方式发生了变化。它之所以吸引19世纪的消费者,是因为它以呈现市场和改变时间观念的方式反映并加强了周围消费者的变化,同时使他们几乎没有时间来进行自省的扩大趋势。日记的用途隐藏了它的真实力量。今天对我们来说,它看起来像一纸of,这是一张盛大的订婚日历,其中包含过时的银行表格和货币图表。然而,对于许多受其格式吸引的人来说,它是现代性的入门,以世界的新方式指导他们。

著录项

  • 作者

    McCarthy, Molly Ann.;

  • 作者单位

    Brandeis University.;

  • 授予单位 Brandeis University.;
  • 学科 History United States.; American Studies.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 370 p.
  • 总页数 370
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 美洲史;
  • 关键词

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