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The Evolution of Architectural Pedagogy in the Age of Information: Advancing technologies and their implementation in architectural pedagogies.

机译:信息时代的建筑教学法的演变:先进的技术及其在建筑教学法中的实施。

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摘要

The contemporary architectural pedagogy is far removed from its ancestry: the classical Beaux-Arts and polytechnic schools of the 19th century and the Bauhaus and Vkhutemas models of the modern period. Today, the "digital" has invaded the academy and shapes pedagogical practices, epistemologies, and ontologies within it, and this invasion is reflected in teaching practices, principles, and tools. Much of this digital integration goes unremarked and may not even be explicitly taught.;In this qualitative research project, interviews with 18 leading architecture lecturers, professors, and deans from programs across the United States were conducted. These interviews focused on advanced practices of digital architecture, such as the use of digital tools, and how these practices are viewed. These interviews yielded a wealth of information about the uses (and abuses) of advanced digital technologies within the architectural academy, and the results were analyzed using the methods of phenomenology and grounded theory.;Most schools use digital technologies to some extent, although this extent varies greatly. While some schools have abandoned hand-drawing and other hand-based craft almost entirely, others have retained traditional techniques and use digital technologies sparingly. Reasons for using digital design processes include industry pressure as well as the increased ability to solve problems and the speed with which they could be solved. Despite the prevalence of digital design, most programs did not teach related design software explicitly, if at all, instead requiring students (especially graduate students) to learn to use them outside the design studio. Some of the problems with digital design identified in the interviews include social problems such as alienation as well as issues like understanding scale and embodiment of skill.
机译:当代的建筑学教学法与它的祖先相去甚远:19世纪的古典美术学校和理工学院,以及近代的包豪斯和Vkhutemas模型。如今,“数字”已经入侵了学院,并在其中塑造了教学实践,认识论和本体论,这种入侵反映在教学实践,原理和工具中。在这种定性研究项目中,对这种数字集成的大部分内容没有评论,甚至可能没有明确地讲授。这些访谈集中于数字体系结构的高级实践,例如数字工具的使用以及如何看待这些实践。这些访谈产生了有关建筑学院内部先进数字技术的使用(和滥用)的大量信息,并使用现象学和扎根理论的方法对结果进行了分析。;尽管这种程度,大多数学校还是在一定程度上使用数字技术漂浮不定。虽然有些学校几乎完全放弃了手绘图和其他基于手工的手工艺品,但其他学校则保留了传统技术并很少使用数字技术。使用数字设计流程的原因包括行业压力以及解决问题的能力增强以及解决问题的速度。尽管数字设计盛行,但大多数程序并没有明确地教授相关的设计软件(如果有的话),而是要求学生(尤其是研究生)在设计工作室之外学习使用它们。访谈中发现的一些数字设计问题包括社会问题,例如疏离以及理解规模和技能体现等问题。

著录项

  • 作者

    Alqabandy, Hamad.;

  • 作者单位

    Arizona State University.;

  • 授予单位 Arizona State University.;
  • 学科 Design and Decorative Arts.;Architecture.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 512 p.
  • 总页数 512
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:43:36

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