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Tending to the 'flower of capitalism:' Consuming, producing and censoring advertising in South Korea of the '00s.

机译:趋向于“资本主义之花:”消费,生产和审查20年代在韩国的广告。

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摘要

My dissertation examines discourses and practices that surrounded consumption and production of advertising in South Korea in the first decade of the 21st century. In its approach, my study breaks away from works that assume that advertising performs the same role universally and that local advertising industries should follow the uniform path of development, in terms of both creative content and industry structures. Treating advertising as an integral part of social reality, I embed my analysis in Korea's idiosyncratic social, cultural, political, and economic contexts to interrogate non-marketing functions of advertising. My dissertation investigates multiple projects that advertising mediates in contemporary South Korea, from challenging social norms and renegotiating cultural meanings, to contesting capitalist control over mass media and articulating fantasies of humanist capitalism. I explore how advertising consumers (including advertising censors) and advertising producers channel, shape, enable or block the flows of advertising messages and revenues. My conclusion is that, in South Korea, the marketing instrumentality of advertising is subordinated to the ethos of public interest, and both advertising consumers and producers strive for advertising that promotes humanist values and realizes democratic ideals, even if it jeopardizes the commercial interests of advertisers.;Theoretically, this study builds on critical theory and anthropology of media while drawing on Korean Studies scholarship to grasp interconnections between the practices of advertising production and consumption, on the one hand, and, on the other, the modern entanglements of capitalism and democracy. Methodologically, I combine a discourse analysis of advertising-related public texts---popular advertising campaigns, responses to them in mass media and the blogosphere as well as the exhibits of the Advertising Museum in Seoul---with ethnographic fieldwork at two sites, an advertising agency and a quasi-government advertising review board, both in Seoul.
机译:我的论文研究了21世纪前十年围绕韩国广告的消费和生产的论述和实践。在研究方法上,我的研究脱离了以下假设:即广告在全球范围内都扮演着相同的角色,而本地广告行业在创意内容和行业结构方面都应遵循统一的发展道路。将广告视为社会现实的组成部分,我将分析嵌入到韩国特有的社会,文化,政治和经济环境中,以审视广告的非营销功能。我的论文研究了当代韩国广告业的多个项目,从具有挑战性的社会规范和重新谈判的文化意义,到争夺资本主义对大众传媒的控制权,以及阐明人本主义资本主义的幻想。我探讨了广告消费者(包括广告审查员)和广告生产者如何引导,塑造,启用或阻止广告信息和收益流。我的结论是,在韩国,广告的营销手段要服从于公共利益的精神,广告的消费者和生产者都在努力争取宣传人文主义价值观和实现民主理想的广告,即使这损害了广告商的商业利益。从理论上讲,这项研究建立在批评理论和媒体人类学的基础上,同时利用韩国研究奖学金,一方面掌握了广告生产和消费实践之间的相互联系,另一方面又了解了资本主义与民主的现代纠缠。从方法上讲,我将对与广告相关的公共文本进行话语分析,包括流行的广告活动,大众媒体和博客圈中对它们的回应以及首尔广告博物馆的展览,以及在两个地点进行的人种学实地考察,首尔的一家广告公司和一个准政府广告审查委员会。

著录项

  • 作者

    Fedorenko, Olga.;

  • 作者单位

    University of Toronto (Canada).;

  • 授予单位 University of Toronto (Canada).;
  • 学科 Mass communication.;Marketing.;Cultural anthropology.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 223 p.
  • 总页数 223
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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