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Rural women and cultural conflict in contemporary American literature.

机译:当代美国文学中的农村妇女与文化冲突。

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摘要

This dissertation takes a transregional approach to reading contemporary literature about women in rural America, studying female authors--including Barbara Kingsolver, Jane Smiley, Toni Morrison, Manette Ansay, Dorothy Allison, Rita Mae Brown, and Bobbie Ann Mason--who are most often categorized according to region, race, or sexuality. Breaking from these existing genre categorizations, this dissertation argues for the recognition of a genre of rural women's literature. Drawing from definitional theories of rural studies scholars, it identifies commonalities of setting and theme that transcend the usual categorization of these novels in literary scholarship according to region, race, or sexuality. These novels offer narratives of rural women caught between competing cultural narratives and developing, in response, new ideas of rural womanhood. These themes offer not only new ways of reading these texts, but also new ways of thinking about rural women in America, who rural feminists argue have been neglected by both feminist theory and rural social theory. Each chapter focuses on a specific area of cultural conflict. Chapter Two discusses gendered power structures related to female characters' stewardship of their natural environment. Chapter Three discusses women as outsiders in rural community and the role of narrative and local relationships in developing rural community identity. Chapter Four focuses on young rural women and their perceived family roles. Chapter Five explores rural domestic violence and the paradox of rural spaces as sites both of freedom and of danger and isolation. Chapter Six analyzes rural lesbian narratives that describe the rural space as a site of hostility, negotiation, and acceptance, with attention to the roles of race and economic privilege. The conclusion suggests possibilities for new research in rural literature, looking especially to how the texts themselves might serve the narrative role of establishing rural community identity.
机译:本论文采用跨区域的方法来阅读有关美国农村妇女的当代文学,研究女性作家-包括芭芭拉·金索尔,简·西米利,托尼·莫里森,曼内特·安赛,多萝西·艾莉森,丽塔·梅·布朗和鲍比·安·梅森。通常根据地区,种族或性别进行分类。本论文打破了现有的体裁分类,主张承认农村妇女文学体裁。从乡村研究学者的定义理论出发,它确定了背景和主题的共性,这些共性和主题超越了根据地域,种族或性别在文学学术领域中这些小说的常规分类。这些小说提供了农村妇女的叙事,介于对立的文化叙事和发展农村妇女新观念的回应中。这些主题不仅为阅读这些文本提供了新的方式,而且为思考美国的农村妇女提供了新的思维方式,农村女权主义者认为,女权主义理论和农村社会理论都忽视了农村妇女。每章重点介绍文化冲突的特定领域。第二章讨论与女性角色的自然环境管理有关的性别权力结构。第三章讨论妇女作为农村社区的局外人,以及叙事和地方关系在发展农村社区认同中的作用。第四章重点介绍农村年轻妇女及其家庭角色。第五章探讨了农村家庭暴力和农村空间作为自由,危险与孤立的场所的悖论。第六章分析了农村女同性恋的叙事,这些叙事将农村空间描述为敌对,谈判和接受的场所,并关注种族和经济特权的作用。结论为农村文学的新研究提供了可能性,尤其是研究文本本身如何为树立农村社区认同发挥叙事作用。

著录项

  • 作者

    Armstrong, Rhonda Jenkins.;

  • 作者单位

    Saint Louis University.;

  • 授予单位 Saint Louis University.;
  • 学科 American Studies.;Literature American.;Womens Studies.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 272 p.
  • 总页数 272
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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