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'According to the Polish sky and customs': Theories of art and architecture in early modern Poland.

机译:“根据波兰的天空和风俗”:早期现代波兰的艺术和建筑理论。

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摘要

In seventeenth and eighteenth-century Poland, amateur and professional architects articulated concerns about social and political impermanence and instability facing Poland, giving shape to a Polish tradition of art and architectural writing. Writers of surviving texts adapted Vitruvian theory to local conditions, shedding light on the way in which they considered and absorbed foreign ideas, and revealing the ways in which they sought to either contest or preserve Polish traditions in architecture. In turn, the texts indicate the durability and even the liability of Polish noble tradition. Divided into a prologue, five chapters, and an excursus, this dissertation discusses the implications art and architectural writing for definitions of early modern Polish culture (1659-1807). It places special emphasis on the reform era of the last king, Stanislaw August Poniatowski (reg. 1764-1795), and examines the ways in which authors of art and architectural theory responded to, adhered to, and challenged aspects of social tradition practiced by the noble estate.; The dissertation provides both a general background to relevant issues in early modern Polish history that affect the interpretation of art and architectural theory. The prologue and first chapter provide a social and political context for the analysis of architectural form and theory found in chapters two, three, four, and five. Chapter two analyzes the Polish domestic architecture, referring to mid-seventeenth century treatise on the subject as well as eighteenth-century writings on rural architecture. Chapter three addresses the subject of the perceptions of Poland by foreigners; an excursus analyzes a Polish treatise on garden design that addresses the perceived shortcomings of the Polish landscape. Chapters four and five consider texts written in the last two decades of the eighteenth century and the first decade of the nineteenth century that use art and architectural theory toward patriotic ends. Drawing on primary source material, readings in Polish political, social and economic history, the history of architectural theory, and secondary Polish art historiography, the study aims to describe and analyze the relationship between writing about art and architecture and Polish cultural consciousness among personalities who were active in both politics and architecture.
机译:在17世纪和18世纪的波兰,业余和专业建筑师明确表达了对波兰所面临的社会和政治无常和不稳定的担忧,从而形成了波兰的艺术和建筑写作传统。幸存的文字作家使维特鲁威理论适应当地情况,阐明了他们考虑和吸收外国思想的方式,并揭示了他们寻求对抗或保留波兰建筑传统的方式。反过来,这些文本表明了波兰贵族传统的持久性甚至是责任。本论文分为序言,五章和摘录,探讨了艺术和建筑作品对早期波兰现代文化(1659-1807)的定义。它特别强调了最后一位国王斯坦尼斯瓦夫·奥古斯特·波尼亚托夫斯基(Stanislaw August August Poniatowski)(reg。1764-1795)的改革时代,并考察了艺术和建筑理论的作者对社会实践所遵循的社会传统各方面作出回应,坚持和挑战的方式。贵族庄园。本文为波兰近代早期历史中影响艺术和建筑理论解释的相关问题提供了一般背景。序言和第一章为分析第二,第三,第四和第五章中的建筑形式和理论提供了一个社会和政治背景。第二章分析了波兰的家庭建筑,参考了十七世纪中叶有关该主题的论文以及十八世纪有关农村建筑的著作。第三章论述了外国人对波兰的看法。短讯分析了波兰关于花园设计的论文,该论文解决了波兰风景中公认的缺点。第四章和第五章讨论了十八世纪后二十年和十九世纪前十年所写的文本,这些文本将艺术和建筑理论用于爱国主义。该研究利用主要的原始资料,波兰政治,社会和经济史的读物,建筑理论的历史以及次要的波兰艺术史学,来描述和分析关于艺术和建筑的写作与波兰人之间的文化意识之间的关系。在政治和建筑方面都很活跃。

著录项

  • 作者

    Guile, Carolyn C.;

  • 作者单位

    Princeton University.;

  • 授予单位 Princeton University.;
  • 学科 Art History.; Architecture.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 454 p.
  • 总页数 454
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 艺术史、艺术思想史;建筑科学;
  • 关键词

  • 入库时间 2022-08-17 11:42:31

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