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'Playboy did more for modern architecture and design than any architectural journal or even the Museum of Modern Art.'

机译:“花花公子在现代建筑和设计上所做的贡献超过任何建筑杂志甚至现代艺术博物馆。”

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摘要

Read Beatriz Colomina's essay, "The Split Wall: Domestic Voyeurism," published in a collection she edited titled Sexuality and Space (Princeton Architectural Press, 199a), and you might get the impression that early modernist architects like Adolf Loos and Le Corbusier were playing a highly abstract game of peek-a-boo. An architectural historian, Colomina did her best to tease out traces of carnality in the peculiar ways those architects arranged their interior perspectives. Le Corbusier didn't give her a lot to work with, but Loos obliged Colomina with his famously unbuilt-and probably never actually commissioned-home for the chanteuse Josephine Baker. His design had a swimming pool at its center, with all the other rooms arranged around it, making views of the pool and its occupant, presumably Baker, "the focus of the visitors' gaze."
机译:阅读Beatriz Colomina在她编辑的题为《性与空间》(普林斯顿建筑出版社,199a)的收藏中发表的论文《分裂的墙壁:家庭偷窥狂》,您可能会得到一种印象,即像Adolf Loos和Le Corbusier这样的早期现代主义建筑师在玩一个非常抽象的peek-a-boo游戏。一位建筑历史学家,科洛米纳(Colomina)竭尽所能,以那些建筑师布置内部视角的独特方式来挖掘肉欲的痕迹。勒·柯布西耶(Le Corbusier)并没有给她太多工作,但洛斯(Loos)强迫科洛米娜(Colomina)建造了他著名的未建成的房屋,而且也许从未真正委托其为女歌手约瑟芬·贝克(Josephine Baker)上门。他的设计在中央设有一个游泳池,所有其他房间都围绕着游泳池布置,使游泳池及其乘员(大概是贝克)的景象成为“游客视线的焦点”。

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  • 来源
    《Architecture》 |2016年第6期|93-949699101|共5页
  • 作者

    Karrie Jacobs;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 00:22:41

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