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Figuring the Human: Aesthetics, Politics and the Humanity to Come.

机译:塑造人类:美学,政治与人类。

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摘要

In this dissertation, I argue that the emergence of aesthetics is central to a modern biopolitical definition of man that serves to enable particular forms of identitarian oppression. I utilize Foucault's analysis of the formation of man in The Order of Things, to examine aesthetics as a discourse that subjects the anarchic range of human praxis to a regime that produces the figure of man in its modern form and, in doing so, has never ceased to produce Man's human others. I further employ this historical analysis to examine contemporary forms of affect theory which mediate similar problems under the conditions of late capitalism, but ultimately displaces the political into the realm of ontology. Instead, I formulate a Marxist understanding of the problematic through an analysis of figures of non-anthropophorous humanity---beings within the range of the human who do not bear the proper name of Man---produced under late capitalism, and contained in the Chinese coolie in Latin America and the historical zombie that originates in Haiti. While I draw deeply on historical materials, my immediate concern is with politics in the present. The political, as Jacques Ranciere is not the sphere of consensual agreement, but the realm of conflict at the basis of determining who belongs within the limits of the polis and who resides beyond its limits, who can be recognized as having the capacity for speech and who can produce only the animal cry of pleasure or pain. In this way, Man itself is the central arena of the political, and a facile liberal humanism serves to obscure the constant power that must be exerted to maintain the limits of Man. Throughout my analyses, I examine the genealogical and etymological traces in the concepts of aesthetics and of politics in order to formulate them anew in a manner that remains faithful to the ever-present alterity of the human. This alterity cannot be dismissed by a simple posthumanism that seeks to abolish the name of Man, but instead places the human as a point upon our horizon which is, and perhaps must remain forever, yet to come.
机译:在本文中,我认为美学的出现是现代生物政治定义人的核心,它可以使特定形式的认同主义压迫成为可能。我利用福柯对《事物的秩序》中人的形成的分析,将美学作为一种话语,将人类实践的无政府主义范围服从一种产生现代形式的人形的政体,并且在这种情况下,从来没有停止生产人类的人类他人。我进一步运用这种历史分析来考察当代形式的情感理论,这些理论在晚期资本主义的条件下调解了类似的问题,但最终将政治转移到了本体论领域。取而代之的是,我通过对非人类人类的数字进行分析,从而形成了马克思主义对问题的理解。人类非人类的数字是在晚期资本主义制度下产生的,并包含在其中。拉丁美洲的中国苦力和起源于海地的历史僵尸。当我深入研究历史资料时,我的直接关注是当前的政治。作为雅克·兰西埃(Jacques Ranciere)的政治人物,不是达成共识的领域,而是在确定谁属于这座城市的界限以及谁居住在这座城市的界限之外的基础上的冲突领域,这些人可以被认为具有言语和语言能力。只能使动物产生喜悦或痛苦的哭声。这样,人本身就是政治的中心舞台,而轻柔的自由人文主义则模糊了维持人的极限所必须施加的恒定力量。在整个分析过程中,我检查了美学和政治概念中的族谱和词源踪迹,以便以忠于人类不断变化的方式重新制定它们。试图废除人类的名字的简单后人类主义不能消除这种改变,而是将人类作为指向我们视域的一个点,这一点是,也许必须永远存在,直到将来。

著录项

  • 作者

    Chang, Alexander Ezekiel.;

  • 作者单位

    University of California, San Diego.;

  • 授予单位 University of California, San Diego.;
  • 学科 Literature General.;Literature Modern.;Asian American Studies.;Aesthetics.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 401 p.
  • 总页数 401
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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