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My life and body through dance: The ontological search for critical meaning in dance education.

机译:通过舞蹈实现我的生命和身体:在舞蹈教育中本体寻求关键意义的方法。

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摘要

This dissertation is a journey into the world of dance education within teacher education through the personal examination of the author's role as a dance educator. In particular it is about exploring dance as a viable text in education in support of the introduction of dance as part of the New Zealand Arts Curriculum. It is also a critical and analytical look at the function of dance within the educational curriculum. Of specific interest is the role dance can play in education to address some of the issues that impact our lives socially and culturally.;The author uses a phenomenological methodology to engage in a process of personal and critical reflection or autobiography of the self for the purpose of deepening an understanding of the link between dance and being human. The intent is to look at dance critical pedagogy and as an agent of change and possibility. In essence, therefore, the work pursues a path of social justice through a focus on the body as it is experienced in dance and all the nuances that are housed in and on the body as a result of one's situatedness in the world. It is a search related to how dance as an art form can become a catalyst in the pursuit for social justice.;The work traces the author's role as a dance educator through the exploration of issues pertaining to dance education within teacher education, such as dance as art and as a way of knowing, as well as issues surrounding the body in education. These areas of exploration are followed by an examination of critical and culturally socially conscious perspectives pertaining to dance education in the New Zealand curriculum within the particular locality of Aotearoa/New Zealand.;The outcome is a study that searches those spaces where social justice can be found in dance education through the interpretive lens of the author. The objective was to illustrate what a process such as this might reveal as it pertains to the depth and breadth of body experiencing and how this might look in the actual practice of dance education.
机译:本文是通过对作者作为舞蹈教育者的角色进行的个人考察,在教师教育中进入舞蹈教育领域的一次旅程。尤其是将舞蹈作为一种可行的教育教材,以支持将舞蹈作为新西兰艺术课程的一部分进行介绍。这也是对舞蹈在教育课程中的功能的批判性和分析性考察。特别令人感兴趣的是舞蹈可以在教育中扮演的角色,以解决一些在社会和文化上影响我们生活的问题。作者使用现象学方法来为此目的进行个人和批判性反思或自传的过程加深对舞蹈与人性之间的联系的理解。目的是研究舞蹈批判性教学法,并作为变革和可能性的推动力。因此,从本质上讲,该作品通过关注舞蹈中经历的身体以及由于一个人在世界上所处的位置而在身体内部和内部产生的所有细微差别,从而追求社会公正的道路。这是与舞蹈作为一种艺术形式如何成为追求社会公正的催化剂有关的搜索。;该作品通过探索与教师教育中的舞蹈教育有关的问题来追溯作者作为舞蹈教育者的作用。作为艺术和一种认识的方式,以及围绕身体的教​​育问题。在这些探索领域之后,将对在Aotearoa /新西兰特定地区的新西兰课程中与舞蹈教育有关的批判性和文化意识的观点进行考察。通过作者的解释镜头在舞蹈教育中发现。目的是说明这样的过程可能揭示什么,因为它与身体体验的深度和广度有关,以及在舞蹈教育的实际实践中该过程如何看待。

著录项

  • 作者

    Sansom, Adrienne Norma.;

  • 作者单位

    The University of North Carolina at Greensboro.;

  • 授予单位 The University of North Carolina at Greensboro.;
  • 学科 Dance.;Education Art.;Education Physical.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 273 p.
  • 总页数 273
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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