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Decolonizing the American Empire: Native American literatures of resistance and presence.

机译:非殖民化的美国帝国:美国原住民的抵抗和存在文学。

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摘要

This dissertation reads Native American literatures as playing a vital role in the current movements towards decolonization. Recognizing that definitions of decolonization differ from person to person and nation to nation, this project examines critical issues such as sovereignty, memory, and language from differing perspectives in order to more fully investigate the implications of those issues and their import to decolonization. Native American literatures, by re-writing imperial America's narratives of death, work to assert their rights, and claim a presence that has been ignored by imperial America. They serve to bring the past into the present, and confront the reader with the fact that the gruesome past of theft, lies, and genocide is, in truth, the gruesome present. The overall goal of this project, therefore, is to analyze how contemporary Native American literatures combat the effects of an ongoing colonization and oppression by articulating the critical need for decolonization on multiple levels.; In doing so, I apply critical readings of multiple texts to three key areas: sovereignty (Silko's Almanac of the Dead and Alexie's The Lone Ranger and Tonto Fistfight in Heaven), memory ( Winter in the Blood and Solar Storms), and language (Glancy's Pushing the Bear and Tapahonso' Saanii Dahataal: The Women are Singing and Blue Horses Rush In).; This differentiation in focus is crucial to the analysis of contemporary Native American literatures as literatures of decolonization. While concepts such as land, community, and identity are critical to Native American cultures, a singular focus on them risks reading them as cultural artifacts rather than as active forces in the struggle for decolonization. The texts under consideration in this project work to counteract the restrictive tropes such as the "dying breed" or "drunken Indian" constructed by white America by claiming sovereignty, prioritizing Native modes of memory, and privileging to Native languages.
机译:本论文将美国原住民文学视为在当前的非殖民化运动中起着至关重要的作用。该项目认识到非殖民化的定义因人而异,因国家而异,因此从不同的角度研究了主权,记忆和语言等关键问题,以便更全面地研究这些问题及其对非殖民化的影响。美国原住民文学通过重写帝国主义对死亡的叙述,努力维护自己的权利,并宣称自己的存在被帝国主义美国所忽视。它们的作用是将过去带入现在,并使读者面对一个事实,即可怕的盗窃,谎言和种族灭绝的过去实际上是可怕的当下。因此,该项目的总体目标是通过在多个层面上阐明非殖民化的迫切需要,分析当代美国原住民文学如何对抗持续的殖民化和压迫的影响。在此过程中,我将对多个文本的批判性阅读应用于三个关键领域:主权(Silko的《亡者年鉴》和Alexie的《天堂的孤游侠》和Tonto激战),记忆(《血与太阳风暴》中的冬天)和语言(《格兰西之歌》)推动熊和Tapahonso的Saanii Dahataal:女人在唱歌,蓝马奔涌而来。这种焦点上的差异对于当代美国本土文学作为非殖民化文学的分析至关重要。尽管诸如土地,社区和身份之类的概念对于美国原住民文化至关重要,但将其单独关注可能会将其视为文化文物,而不是作为非殖民化斗争中的活跃力量。该项目中正在考虑的文本旨在通过主张主权,优先考虑本地记忆模式和特权使用本地语言来抵消限制性的口号,例如白人美国建造的“垂死的品种”或“醉酒的印第安人”。

著录项

  • 作者

    Sheffield, Carrie Louise.;

  • 作者单位

    Purdue University.;

  • 授予单位 Purdue University.;
  • 学科 Literature American.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 229 p.
  • 总页数 229
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I712;
  • 关键词

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