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Decolonizing vision: Native Americans, film and video activism

机译:非殖民化的视野:美洲原住民,电影和录像运动

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Abstract This article provides a critical reflection on, and some key examples of Native American media activism, in particular film and video making. The aim of the article is to discuss the reasons why such activism is important, consider its strength and challenges, as underpinned by the work of critical media scholars, such as Stuart Hall and other prominent scholars. To do so, it provides relevant examples and cases which point at the role of and issues surrounding image, representation, (in) visibility, access, recognition, dissemination, censorship and identity, in relation to video activism.The main findings are that video activism can be a helpful tool in the frame of Native Americans’ struggles for self-making and sovereignty, reversing the trend established historically first by the European settlers, and then by the American ‘mainstream’ population, whose aim was to erase and assimilate Indigenous peoples. However, although we pinpoint the fact that indigenous media, such as Fourth Cinema or video productions broadcast on platforms like Youtube, are used as political tools by Native Americans, the essay also means to highlight the limits of such tools, whether the latter are theoretical, or practical.In summary, this article considers traditional indigenous media in self-making processes, mainly through the importance of filmmaking. Furthermore, it emphasizes how resistance, resurgence and sovereignty are pursued with the utilization of digital Indigenous media. It also tries to underline the limits of those methods which should be taken into account to strengthen Indigenous activism. Finally, even if these points are related here to Native American activism, they seem relevant to any kind of activism. It is hence key to highlight that the critical arguments and example provided here can support teachers’ work related to social justice. Teachers can use the examples and points made here as a reflection trigger with students in higher education across disciplines and high school, within and beyond the fields that tackle media, culture, sociology, and history.
机译:摘要本文对美国印第安人的媒体行动主义,特别是电影和视频制作,进行了批判性反思,并提供了一些关键实例。本文的目的是讨论这样的行动主义为何如此重要的原因,并考虑到批评性媒体学者(如斯图尔特·霍尔(Stuart Hall)和其他著名学者)的工作所支持的力量和挑战。为此,它提供了相关示例和案例,这些案例和案例指出了与视频活动有关的图像,表示,可见性,访问性,访问性,识别性,传播性,审查制度和身份等方面的作用和问题。在美洲原住民争取自治和主权的斗争中,行动主义可能是一个有用的工具,它首先扭转了欧洲定居者,然后是美国“主流”人口在历史上确立的趋势,其目的是消灭和吸收土著居民人们。但是,尽管我们指出了土著媒体(例如,第四电影院或在Youtube等平台上播放的视频作品)被美国原住民用作政治工具这一事实,但这篇文章也意味着要强调此类工具的局限性,无论后者是理论上的总之,本文主要通过电影制作的重要性来考虑传统的土著媒体在自我制作过程中的作用。此外,它强调了如何利用数字土著媒体来追求抵抗,复兴和主权。它还试图强调那些方法的局限性,应加强土著激进主义。最后,即使这些观点与美国原住民行动主义有关,它们似乎也与任何形式的行动主义有关。因此,关键是要强调,此处提供的批判性论点和榜样可以支持教师在社会正义方面的工作。教师可以使用此处的示例和观点,作为涉及媒体,文化,社会学和历史学领域内外的跨学科和高中高等教育学生的反思触发点。

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