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Hero of sympathy: Du Fu's political-philosophical poetics, 752--756.

机译:同情英雄:杜甫的政治哲学诗学,752--756。

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摘要

In the autumn of 752 Du Fu (712--770) began to work out new ways to address political ideas in poetry, creating a unique political-philosophical poetics. There are three keys to understanding this poetics.; First, many have identified natural, descriptive realism---as distinct from literary tradition and convention---as a major feature Du Fu's political and social criticism. Less well studied are the figurative aspects of the many seemingly realistic passages of Du's poetry that, upon closer reading, often have as much to do with literary tradition as with descriptive realism. Call this figurative realism---a surface realism that points to antecedent conventions and texts, a poetic method by which Du Fu builds into his descriptive texture multiple layers of meaning with multiple political and poetic resonances.; Second, figurative realism is often expressed in connection with Du Fu's engagement with the writers, traditions and conventions of Chinese literary history, in the context of the ideal, much in vogue in the Tang (618--907), of returning to antiquity (fugu). This study argues that Du Fu's achievement consists not in dispensing with tradition, but rather in mastering it to the point where he could manipulate it in thoroughly innovative ways, both in rewriting past models in his own mold, and also in manipulating, in some poems, two poetic sub-genres in one composition. The latter practice has been called "breaks" or "juxtaposition." It is explained here as an innovation in literary form.; Third, figurative realism and a deep engagement with the past are vehicles for conveying a particular structure of imagery in all of the poems considered in this study---a structure that places images of kings, ministers and courts together with images of cataclysmic floods, thereby suggesting a natural relationship between moral action in the human realm and the order of nature itself.; With these practices, Du Fu gives us visions of the moral and political dissolution of Tang civilization, in which the poet himself assumes the persona of a Mencian Hero of Sympathy, whose heart of compassion encompasses the entire political realm.
机译:752年秋天,杜甫(712--770)开始寻找新方法来处理诗歌中的政治思想,从而创造出独特的政治哲学诗学。理解这一诗学有三个关键。首先,许多人已经将自然的,描述性的现实主义-不同于文学传统和惯例-确定为杜甫的政治和社会批评的主要特征。杜诗的许多看似现实的段落的形象化方面的研究较少,这些方面经过仔细阅读后,往往与文学传统和描述性现实主义息息相关。称这种具象的现实主义-一种表面的现实主义,它指向先前的惯例和文本,这是一种诗意的方法,杜甫通过这种诗意的方法在其描述性纹理中构建了具有多重政治和诗意共鸣的多层含义。其次,比喻现实主义常常与杜甫与中国文学史的作家,传统和习俗的交往联系在一起表达,这是在唐代(618--907)流行的一种理想的背景下,即回归古代( fugu)。这项研究认为,杜甫的成就不在于摒弃传统,而是在于掌握传统,以完全创新的方式操纵传统,既可以用自己的方式重写过去的模型,也可以在某些诗歌中加以运用。 ,两种诗意的子流派合而为一。后者的做法被称为“中断”或“并置”。这里将其解释为文学形式的创新。第三,比喻现实主义和对过去的深刻参与是在本研究中考虑的所有诗歌中传达特定图像结构的工具-一种将国王,部长和法院的图像与灾难性洪水的图像放置在一起的结构,从而暗示了人类领域中道德行为与自然本身秩序之间的自然联系。通过这些实践,杜甫为我们提供了唐代文明的道德和政治解构的愿景,其中诗人本人承担了孟西亚同情英雄的角色,他的同情心涵盖了整个政治领域。

著录项

  • 作者

    Schneider, David Kenneth.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Literature Asian.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 191 p.
  • 总页数 191
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I3;
  • 关键词

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