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Making China's greatest poet: The construction of Du Fu in the poetic culture of the Song Dynasty (960-1279).

机译:造就中国最伟大的诗人:宋代诗歌文化中的杜甫建筑(960-1279)。

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摘要

In traditional narrative of Chinese literary history, Du Fu (712--770) is arguably the "greatest poet of China," and it was in the Song (960--1279) that his greatness was finally recognized. This narrative naturally presumes that the real Du Fu in history is completely accessible to us, which is not necessarily true.;This dissertation provides another perspective to understand Du Fu and the "greatness" of his poetry. I emphasize that the image of Du Fu that we now have is more of a persona that has been constructed from his available poetic texts. Poets in the Song Dynasty, especially those in the eleventh century, took initiative to construct this persona, and their construction of Du Fu was largely conditioned by their own literary and intellectual concerns.;The entire dissertation is divided into five chapters. Chapter 1 investigates how Du Fu's poetic collection emerged. His collection, as it was compiled and edited, not only provided a platform, but also set restrictions, for the construction of Du Fu. Chapter 2 examines how Du Fu used to be remembered before his collection took form. Memory of him before the eleventh century was considerably different from his received image. The remaining chapters focus on three major aspects of Du Fu's persona---namely his images as a poet-historian, a master of poetic craft, and a Confucian poet---to analyze how and why Du Fu was constructed as such in the Song. Song poets accepted poetry as a medium loaded with valuable information, and they thus explored Du Fu's poetry for history; they concerned themselves with issues pertaining to poetic craft, and retrospectively looked for examples in Du Fu's poetry as established standards; they, as scholar-officials, committed themselves to the state, and declared Du Fu as their model. In sum, Song poets provided particular readings to Du Fu's particular poems, and claimed these readings as the result of Du Fu's intentional production. Through interpretation of Du Fu's surviving poems, they constructed Du Fu as China's greatest poet.
机译:在中国文学史的传统叙事中,杜甫(712--770)可以说是“中国最伟大的诗人”,而在宋代(960--1279)中,他的才华得到了最终的认可。这种叙述很自然地认为历史上真正的杜甫是我们完全可以理解的,这不一定是正确的。本论文为理解杜甫及其诗歌的“伟大”提供了另一个视角。我强调,我们现在所拥有的杜甫形象,更多是一种根据他现有的诗歌文本所建构的角色。宋代的诗人,尤其是十一世纪的诗人,主动地建构了这种人格,他们对杜甫的建构在很大程度上取决于他们自身的文学和思想上的关注。全文共分为五章。第1章研究杜甫的诗歌集如何出现。他的作品集经过编辑和编辑,不仅为杜甫的创作提供了平台,而且还设定了限制条件。第2章探讨了杜甫收藏之前如何被记住。十一世纪以前对他的记忆与他所获得的印象有很大不同。其余各章着重介绍杜甫的性格的三个主要方面,即他作为诗史学家,诗歌手艺大师和儒家诗人的形象。歌曲。宋诗人接受诗歌作为一种承载着宝贵信息的媒介,因此他们探索杜甫的诗歌历史。他们关注与诗歌手工艺有关的问题,并回顾性地寻找杜甫诗歌中的例子作为既定标准;他们作为学者官员致力于国家,并宣布杜甫为榜样。总之,宋诗人为杜甫的特殊诗歌提供了特别的读物,并声称这些读物是杜甫有意产生的结果。通过对杜甫遗存诗的阐释,他们将杜甫视为中国最伟大的诗人。

著录项

  • 作者

    Chen, Jue.;

  • 作者单位

    Princeton University.;

  • 授予单位 Princeton University.;
  • 学科 Asian literature.;Literature.;Asian studies.
  • 学位 Ph.D.
  • 年度 2016
  • 页码 333 p.
  • 总页数 333
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:42:38

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