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Teachers as teachers and learners: Conversations about art and teacher education in museums.

机译:作为老师和学习者的老师:博物馆中有关艺术和老师教育的对话。

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摘要

This research aims to reveal the inward significance of educator's perceptions and attitudes towards teacher education in art museums and an educator's dual role as personal and professional meaning maker of art. This narrative inquiry (Clandinin and Connelley, 2000) brings together conversations between elementary and secondary art educators and pulls threads of commonality to determine the meaningful and authentic intersections between classroom educators and experiences with art in museums.;Engaging in aesthetic experiences helps educators develop a life of meaning (Greene, 1995). Placing value in experiencing art prompts educators as people to tap into their own thoughts, ideas, and opinions about the world and, as teachers, helps guide their students in engaging in more meaningful experiences with art. This dissertation research examines educators in museum settings engaging with works of art and pinpoints moments of aesthetic experience (Dewey, 1934). Fueled by experience, this research is a conversation that seeks to determine how we define and make meaning of aesthetic experiences and position engagements with original works of art as a more integral part of art education.;This research addresses the intersection of art, teacher education, and art museums and, as such, the literature review presents pertinent work in three broad areas: art and social education, teacher education, and teaching and learning in museum settings.;Multiple tools are used to gather the field text for this narrative inquiry: one-on-one interviews, written narratives, and focus group dialogue. By combining tools, participants are offered individual, written, and group opportunities to express their thoughts and ideas and respond to the research questions. This approach allows the researcher to cross-analyze the field text and note the commonalities and subtleties. Like a multi-focal lens, this approach of analyzing both the individual and the group allows for the research to be examined at a distance and up-close (Borko, 2004). This dual focus offers the opportunity to study the individual by considering the questions, issues, and ideas brought to the community while simultaneously examining the responses, replies, and contributions of the community.
机译:这项研究旨在揭示教育者对美术馆中教师教育的看法和态度的内在意义,以及教育者作为艺术的个人和专业意义创造者的双重作用。这种叙事性探究(Clandinin and Connelley,2000)汇集了初等和中等艺术教育者之间的对话,并拉近了共同点,从而确定了课堂教育者与博物馆艺术经验之间有意义且真实的交集。意义的生命(Greene,1995)。在体验艺术中重视价值,促使教育工作者作为人们利用他们对世界的想法,思想和观点,并作为老师,有助于引导学生从事更有意义的艺术体验。本论文的研究对博物馆中从事艺术作品的教育工作者进行了研究,并指出了审美体验的时刻(杜威,1934年)。这项研究是在经验的推动下进行的一次对话,旨在确定我们如何定义和体验审美体验和与原始艺术作品的定位互动,并将其作为艺术教育中不可或缺的一部分。 ,以及艺术博物馆,因此,文献综述提供了三个广泛领域的相关工作:艺术和社会教育,教师教育以及博物馆环境中的教与学。;使用了多种工具来收集田野文字进行叙述性探究:一对一的访谈,书面叙述和焦点小组对话。通过组合工具,可以为参与者提供个人,书面和小组交流的机会,以表达他们的想法和观点并回答研究问题。这种方法使研究人员可以对现场文本进行交叉分析,并注意其共性和精妙之处。像多焦点镜头一样,这种分析个人和群体的方法允许对研究进行远距离和近距离的检查(Borko,2004)。这种双重关注提供了一个机会,可以通过考虑带给社区的问题,问题和想法来研究个人,同时检查社区的响应,答复和贡献。

著录项

  • 作者

    Ramirez, Victoria.;

  • 作者单位

    University of Houston.;

  • 授予单位 University of Houston.;
  • 学科 Art education.;Curriculum development.;Teacher education.;Museum studies.
  • 学位 Ed.D.
  • 年度 2006
  • 页码 403 p.
  • 总页数 403
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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