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Filipino bands performing in hotels, clubs and restaurants in Asia: Purveyors of transnational culture in a global arena.

机译:在亚洲的酒店,俱乐部和饭店中表演的菲律宾乐队:全球舞台上跨国文化的传播者。

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摘要

Filipino musicians can be found performing in many cities throughout Asia. They form the largest and most widely dispersed population of traveling entertainers in Asia. Their performance venues include five-star hotels, cruise liners, international chain pubs and restaurants like the Hard Rock Cafe and Planet Hollywood, and tiny karaoke lounges in Japan where entertaining entails singing karaoke with guests. Many Filipino musicians aspire to perform abroad because of the higher salaries and status it confers upon them. International hotels, and upscale clubs and restaurants are the mainstay for a large proportion of Filipino entertainers. Their audience ranges from tourists and business travelers to expatriates working for multinational corporations, and the local middle and upper classes. They are in demand in these venues for their ability to perform mainstream western pop and rock in the most 'authentic' style, including the 'oldies' and the latest hits on the British and the American music charts. By 'authentic,' I mean they are able to imitate the voice quality, singing style, and dance movements of well-known singers from Britain and the United States. Filipino musicians are also in demand in Asia because they can sing and speak in many different languages and can appeal to the local audiences in the different countries where they perform.; This dissertation examines the reasons behind the demand of Filipino bands performing Anglo-American mainstream popular music in Asia. It looks at the ways globalization has facilitated working transnationally, and explores the culture Filipino musicians employ in order to adapt to changing work environments. This dissertation also reveals the ways in which transnationals influence the culture of those in their own homeland and in the countries in which they are employed. This study will show that Filipino bands provide a 'global performance,' involving the singing of Anglo-American mainstream popular music, Asian hit songs, and international hits in other languages such as Spanish and Italian, so that they can cater to the entertainments need of their diverse audiences throughout Asia. Their performances reflect the global imaginings of their audiences in Asia, while their experiences abroad shape the global imagination of Filipinos in their homeland.
机译:菲律宾音乐家在亚洲许多城市都有演出。他们构成了亚洲旅行演艺人员中最大,分布最广泛的人群。他们的表演场所包括五星级酒店,邮轮,国际连锁酒吧和餐厅,如Hard Rock Cafe和Planet Planet,以及日本的小型卡拉OK休息室,娱乐场所需要与客人一起唱歌。许多菲律宾音乐家渴望在国外演出,因为这赋予了他们更高的薪水和地位。国际酒店,高档俱乐部和餐厅是菲律宾艺人中很大一部分的中流tay柱。他们的听众范围从游客和商务旅客到为跨国公司工作的外籍人士以及当地中上层阶级。他们需要在这些场所以最“真实”的风格表演主流西方流行音乐和摇滚音乐,包括英国和美国音乐排行榜上的“老歌”和最新专辑。 “真实”是指他们能够模仿英美知名歌手的音质,唱歌风格和舞蹈动作。在亚洲,菲律宾音乐家的需求也很大,因为他们会唱歌和说多种不同的语言,并且能够吸引表演国家/地区的当地听众。本文探讨了菲律宾乐队在亚洲演出英美主流流行音乐背后的原因。它探讨了全球化促进跨国工作的方式,并探索了菲律宾音乐家为适应不断变化的工作环境所采用的文化。本文还揭示了跨国公司如何影响其本国和受雇国家的文化。这项研究将表明,菲律宾乐队提供了“全球表演”,涉及英美主流流行音乐的演唱,亚洲流行歌曲以及西班牙语和意大利语等其他语言的国际流行歌曲,因此它们可以满足娱乐需求他们在整个亚洲的不同受众群体。他们的表演反映了亚洲观众的全球想象力,而他们在国外的经历塑造了菲律宾人在其祖国的全球想象力。

著录项

  • 作者

    Ng, Stephanie Sooklynn.;

  • 作者单位

    University of Michigan.;

  • 授予单位 University of Michigan.;
  • 学科 Anthropology Cultural.; Music.; Sociology General.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 247 p.
  • 总页数 247
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 人类学;音乐;社会学;
  • 关键词

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