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Javier Marias's postmodern praxis: Humor and interplay between reality and fiction in his novels and essays.

机译:哈维尔·马里亚斯(Javier Marias)的后现代实践:幽默与现实与小说之间的相互作用在他的小说和散文中。

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摘要

This dissertation analyzes the interplay between reality and fiction in four of Javier Marias's novels, Todas las almas, Manana en la batalla piensa en mi, Negra espalda del tiempo and Fiebre y lanza, and in selections from his journalistic articles. It focuses on the antirealist elements at work, such as the melding of seriousness and humor, the incongruous mixture of history and fiction, and the unreliability of the intrusive narrator. Chapter I situates Marias in the context of the post-Franco years and chronicles his rejection of the literature of social realism and his incorporation of postmodern tendencies. Chapter II analyzes different types of humor in the aforementioned novels through the application of Bakhtin's theories of the carnivalesque, Victor Shlovosky's theory of estrangement, Geoffrey Harpham's studies on the grotesque, and Marias's own manipulation of history. Humor functions as an expression of play, an instrument of subtle criticism, a decoding challenge, and an artistic artifact. Historical figures subjected to humor include King Juan Carlos and Francisco Franco. Chapter III analyzes the juxtaposition of fact and fiction in Negra espalda del tiempo through the application of theories formulated by Phillipe Lejeune and Brian McHale. I compare Marias's biography of Wilfred Ewart, an ill-fated English writer, with those of Ewart's other biographers and with Ewart's own autobiography. In his reconstruction of Ewart's life, Marias raises questions about authorial reliability and textual stability. Drawing attention to the subjective role of the author, he makes connections between his life and Ewart's, and employs fictive devices to illuminate reality. Chapter IV examines the postmodern characteristics of Marias's journalistic essays. Marias incorporates humoristic techniques and fictive devices to make his readers aware of cultural and political change, but unlike Larra, with the absence of a national mission.
机译:本论文分析了哈维尔·马里亚斯(Javier Marias)的四本小说中的现实与虚构之间的相互作用,这些小说包括托达斯·拉斯·阿尔玛斯(Todas las almas),马纳纳·恩巴拉塔·皮恩萨·米(Manana en la batalla piensa en mi),内格拉·埃斯帕尔达·德尔蒂姆波(Negra espalda del tiempo)和菲伯·伊·兰扎(Fiebre y lanza)。它着重于工作中的反现实主义元素,例如严肃与幽默的融合,历史与小说的混合,以及介入性叙述者的不可靠性。第一章将玛丽亚斯置于后法兰克时代的背景下,并记述了他对社会现实主义文学的拒绝以及他对后现代主义倾向的吸收。第二章通过运用巴赫金的狂欢节理论,维克托·史洛夫斯基的疏离理论,杰弗里·哈普汉姆对怪诞的研究以及玛丽亚斯对历史的操纵,分析了上述小说中不同类型的幽默。幽默起到游戏的表达,微妙的批评,解码的挑战和艺术作品的作用。受幽默影响的历史人物包括胡安·卡洛斯国王和弗朗西斯科·佛朗哥。第三章通过运用菲利普·勒吉恩和布莱恩·麦克海尔提出的理论,分析了《内格拉·埃斯帕尔达·德尔蒂姆波》中事实与小说的并置。我将玛丽亚斯(Marias)的命运不佳的英国作家威尔弗雷德·埃瓦特(Wilfred Ewart)的传记与埃瓦尔特(Ewart)的其他传记作家的传记以及埃瓦尔特(Ewart)的自传进行比较。在对Ewart的生活进行的重构中,Marias提出了有关作者可靠性和文本稳定性的问题。他提请作者注意主观角色,将自己的生活与Ewart的生活联系起来,并使用虚拟装置阐明现实。第四章考察了玛丽亚斯新闻文章的后现代特征。 Marias运用幽默技巧和虚构的手段使读者意识到文化和政治的变化,但是与Larra不同,它没有国家任务。

著录项

  • 作者

    Berg, Karen E.;

  • 作者单位

    University of Massachusetts Amherst.;

  • 授予单位 University of Massachusetts Amherst.;
  • 学科 Literature Modern.; Literature Romance.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 265 p.
  • 总页数 265
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;世界文学;
  • 关键词

  • 入库时间 2022-08-17 11:40:37

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