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Global cities/urban subjects: The literary rearticulation of identity.

机译:全球城市/城市主题:身份的文学重新定位。

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My dissertation examines how contemporary literary texts register the subjective experience of globality in global cities. I delimit the scope of my interrogation of globalization to the global city for two reasons: First, the Social Sciences have established that the concept of the global city---meaning those cities whose economic functions have been almost uniformly transformed by globalization---is a prime site for the investigation of the city-dweller's subjective experience of globality. Second, interrogating global urban consciousness throws into relief the relationship between literature and the conditions for its production in globalized city spaces. Through a combination of interpretation based on close reading, and explanation based on symptomatic reading, my project explains and analyzes what a subject's experience of the city can tell us about globalization's transformations of history, locality, and identity. Focussing on London, Tokyo, and Toronto, I read texts by such authors as Salman Rushdie, Haruki Murakami, and Margaret Atwood in order to explain how these texts register the global city as the material and conceptual condition for the possibility of rearticulating identity.; The analyses and explanations of these texts reveal that literature produced in global cities discloses problems of identity-making in ways that complicate local-global binaries, and the strain of globalization theory which maintains that globalization fosters cultural homogeneity. Literary texts register these complications because of the way they articulate various histories---social, cultural, political, and of course literary. A literary text can tell us something about the historical moment if we understand the relationship between this moment and the production of the text. In other words, to paraphrase Pierre Macherey, we will understand more about the historical moment if read a work with a view not to trying to fathom its intentions, but with a view to understanding how it is produced out of a complex network of determinate conditions. In my study, globalization's relationship to the transformations in global cities forms the complex network of determinate condition of the works that my explanations seek to register.
机译:本文研究了当代文学文本如何记录全球城市中全球化的主观经历。我将对全球化的质疑的范围划归到全球城市,原因有两个:首先,社会科学已经确立了全球城市的概念-指那些经济功能几乎因全球化而统一转变的城市-是调查城市居民的全球化主观体验的主要场所。其次,对全球城市意识的审视使文学与全球化城市空间中的文学创作条件之间的关系得到缓解。通过将基于近距离阅读的解释与基于有症状阅读的解释相结合,我的项目可以解释和分析主题的城市经历可以告诉我们有关全球化对历史,地区和身份的转变的信息。我以伦敦,东京和多伦多为重点,读了萨勒曼·拉什迪,村上春树和玛格丽特·阿特伍德等作家的文章,以解释这些文章如何将全球城市作为重新确立身份可能性的物质和概念条件。对这些文本的分析和解释表明,在全球城市中产生的文学作品以使局部全球二进制文件复杂化的方式揭示了身份认同的问题,以及认为全球化促进文化同质性的全球化理论的张力。文学作品之所以能记录这些复杂性,是因为它们表达了各种不同的历史-社会,文化,政治,当然还有文学。如果我们了解当下与文本产生之间的关系,那么文学文本可以告诉我们有关历史时刻的一些信息。换句话说,用皮埃尔·马歇里(Pierre Macherey)来解释,如果阅读某件作品不是为了去试图理解其意图,而是为了理解它是如何由复杂的确定性条件网络产生的,我们将对历史时刻有更多的了解。 。在我的研究中,全球化与全球城市转型的关系形成了我的解释试图记录的作品确定条件的复杂网络。

著录项

  • 作者

    Chilton, Myles K.;

  • 作者单位

    The University of Chicago.;

  • 授予单位 The University of Chicago.;
  • 学科 Literature Comparative.; Literature Asian.; Literature Canadian (English).; Literature English.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 241 p.
  • 总页数 241
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文学理论;
  • 关键词

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