基于标记理论的文学风格再现研究--以吴劳《老人与海》汉译本为例

目录

声明

Chapter 1 Introduction

1.1 Background of the Study

1.2 Significance of the Study

1.3 The Structure of the Thesis

Chapter 2 Literature Review

2.1 Previous Research on Style Translation

2.1.1 Researches on Style Translation Abroad

2.1.2 Researches on Style Translation at Home

2.2 Previous Researches on Markedness Theory

2.2.1 Researches Abroad

2.2.2 Researches at Home

2.3 Previous Research on The Old Man and The Sea

Chapter 3 Theoretical Framework

3.1 Formal Markers

3.1.1 Phonological Markers

3.1.2 Register Markers

3.1.3 Lexical Markers

3.1.4 Syntactic Markers

3.1.5 Textual Markers

3.1.6 Markers of Figures of the Speech

3.2 Non-formal Markers

Chapter 4 Analysis of Literary Style Reproduction in Wu Lao’s Version of The Old Man and The Sea

4.1 Introduction of Hemingway and The Old Man and The Sea

4.1.1 Hemingway’s Iceberg Theory

4.1.2 The Writing Style of The Old Man and The Sea

4.2 Analysis of Style Reproduction of The Old Man and The Sea in Terms of Formal Markers

4.2.1 Reproduction of Lexical Markers

4.2.2 Reproduction of Syntactic and Textual Markers

4.2.3 Reproduction of Markers of the Figures of the Speech

4.3 Analysis of Style Reproduction of The Old Man and the Sea in Terms of Non-formal Markers

4.3.1 Reproduction of Image of the Old Man

4.3.2 Reproduction of the Unyielding Spirit

Chapter 5 Conclusion

5.1 Major Findings of the Study

5.2 Limitations and Suggestions of the Study

参考文献

致谢

Achievements