CHAPTER ONE: INTRODUCTION
1.1 Background of Research, Purpose, and Significance of Re-search
1.1.1 Background of Research
1.1.2 Purpose of Research
1.1.3 Significance of Research
1.2 Definition Concept
1.2.1 Evolution of the Oblique Function in Banlay, France
1.2.2 Evolution of the Oblique Function in Saint Germain en Laye
1.3 Literature Review
1.3.1 National Related Review
1.3.2 International Related Review
1.4 Research Questions
1.4.1 Research Objectives
1.4.2 Research Methodology
1.5 Scope of Research
1.6 Research Framework
CHAPTER TWO: BACKGROUND AND DEVEL-OPMENT OF THE THEORY OF THE OBLIQUE FUNCTION
2.1 Claude Parent’s Biography
2.1.1 His Career
2.1.2 His Partnerships
2.1.3 Acknowledged Architect
2.2 The state of the Oblique Function of Claude Parent
2.2.1 Ideas and Struggles
2.2.2 The first Artistic Adventure
2.2.3 Architect and Artist
2.3 The Concept of the Oblique Function in Art
2.3.1 The Artistic Collaboration of the Oblique Function from 1953 – 1957
2.3.2 The Artistic Collaboration of the Oblique Function from 1958 -1962
2.3.3 The Artistic Collaboration of the Oblique Function from 1963 -1999
2.4 The Concept of the Oblique Function in Architecture
2.4.1 The Architectural Collaboration of the Oblique Function from 1950-1951
2.4.2 Architectural Collaboration of the Oblique Function from 1952-1953
2.4.3 Architectural Collaboration of the Oblique Function from 1953-1955
2.5 Conclusion
CHAPTER THREE： TECHNIQUES AND CHAR-ACTERISTICS OF THE OBLIQUE FUNCTION 第 3 章 倾斜功能的建构与特性
3.1 The Techniques of the Oblique Function
3.1.1 The Principle of the Oblique Function
3.1.2 The Application of the Principle of the Oblique Function
3.2 Practicalization of Techniques of the Oblique Function
3.2.1 The Story of the Sainte-Bernadette Architectural Project
3.2.2 Location and Concept
3.2.3 Technique and Structure
3.3 The Characteristics of the Oblique Function
3.3.1 The Mass of the oblique function
3.3.2 The Surface of the oblique function
3.3.3 The Structural Elements
3.4 Practicalization of Characteristics of the Oblique Function
3.4.1 The Story of the Charleville Architecture
3.4.2 Location and Concept
3.4.3 Characteristic and Structure
3.5 Conclusion
CHAPTER FOUR: APPLICATION OF THE OBLIQUE FUNCTION
4.1 The Application of Art in the Oblique Function
4.1.1 The Modernization of the Traditional Windows
4.1.2 The Oblique Function from three Distinct Perspective
4.1.3 From Abstract to Reality-Oblique Function
4.2 The application of the oblique function in Housing Pro-jects
4.2.1 The Maison Drusch in France (1963-1965)
4.2.2 Restoration of Claude Parent's House (1963-1965)
4.2.3 The Maison Soultrait project (1956-1958)
4.3 The Application of the Oblique Function in the Construc-tion of Cultural Architecture
4.3.1 The Maison De La Culture (1969-1975)
4.3.2 The Pavillon Fran?aise Project (1970)
4.3.3 The Maison des Jeunes et de La Culture (1963-1965)
4.4 The Application of the Oblique Function in the Construc-tion of Commercial Architecture
4.4.1 The Centre Commercial de Sens （1967-1970）
4.4.2 The Centre Commercial de D’Epernay-Pierry (1968-1970)
4.4.3 The Hypermarches
4.5 The Impact of the Oblique function in City Development
4.6 Conclusion
Conclusion
参考文献
声明
致谢
Dedication
哈尔滨工业大学;
