中文摘要
英文摘要
目录
Introduction
I.Narrative Perspectives: A Tendency towards Multiplicity
A. Transformationof Focalization from Internal Focalization to External Focalization
1. The Internal Focalization Employed in “Boys and Girls” and “The Shining Houses”
2.The External Focalization Employed in “Free Radicals”
3. Deepening of Connotation
B. The Increment of Alterations of Focalization
1.Relatively Unvaried Focalization in “Boys and Girls”
2.Alterations of Focalization in “Free Radicals” and “Wenlock Edge”
3. Development ofStructuralAesthetics
II.Narrative Voices: A Tendency towards Implicitness
A.Weakening of Narrative Voices
1.The Strong Narrative Voice and the Intervening Narrator in “The Office”
2.The Weak Narrative Voice and the Objective Narrator in“Deep-Holes”
3.Strengthening of Objectivity, Authenticity and Creditability
B.The Concealment of Author's AuthoritybehindNarrative Voices
1.The Personal Voice in “The Office”
2.The Authorial Voice in “Deep-Holes”
3.Increases ofImplicitness
III.Narrative Time: A Tendency towards Complexity
A.Increasesof Anachronies on the Levelof Temporal Order
1.The Single Timeline and the Anachronies in “Red Dress--1946”
2.Four Timelines and the Anachronies in “Dimensions”
3.Increments of Expressiveness
B.Advances of Narrative Rhythm on the Level of Temporal Duration
1.Mild Narrative Rhythm in “Red Dress---1946”
2.Undulate Narrative Rhythm in “Dimensions”
3. Enhancementof Rhythmical BeautyandDramatic Effects
Conclusion
参考文献
致谢
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