acknowledgement
中英文摘要
Ⅰ. Introduction
Ⅱ. Readability to writability in modern fiction as the trends of literary creation.
Ⅲ Readability from Nabokov's Lolita
1. Author's occult self and his requirement of good readers
2. Point of view in Lolita
(1)Autobiographical and Narcissus complex:
(2) Parody and authenticity in Lolita
3. Aesthetic bliss related to features of speech of Lolita
(1) Multi-lingual and musical feature
(2)Visual beauty of Nabokov's language
(3)Nabokov's language games
4. Bliss of exploration on Nabokov's passion and love
(1) Love story or pornography
(2)Passion of the author
(3)Distance between our expectation and author's real purpose of literature
5. Readability in Nabokov's hybrid and multi-cultural writing
(1)Dislocation
(2) Cultural exploration
(3)Nabokov's America
Ⅳ Writability
1. From readability to writability
2. Writability on themes and strategy of involution
( 1 ) Themes
(2) Nabokov's strategy of involution
3. The multicultural elements in writability
(1) Interaction of different cultures
(2) Multi-culture's another form Nabokov's side-interest in archeology, zoology, and entomology
(3) Play of his language and his multi-lingual feature
4. Language's arbitrariness and limitations
Ⅴ Is there a wall or barrier between readability and writability
1. Possibility of communication
(1)Second plot and third plot
(2)Reader's own desire for self-justification
(3)Game of authors to readers
2. Catering or elevating
3. Mutual aesthetic bliss
Ⅵ Conclusion
Bibliography
Appendix