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从可读性至可写性的审美狂喜——V.纳博科夫《洛丽塔》启示

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目录

acknowledgement

中英文摘要

Ⅰ. Introduction

Ⅱ. Readability to writability in modern fiction as the trends of literary creation.

Ⅲ Readability from Nabokov's Lolita

1. Author's occult self and his requirement of good readers

2. Point of view in Lolita

(1)Autobiographical and Narcissus complex:

(2) Parody and authenticity in Lolita

3. Aesthetic bliss related to features of speech of Lolita

(1) Multi-lingual and musical feature

(2)Visual beauty of Nabokov's language

(3)Nabokov's language games

4. Bliss of exploration on Nabokov's passion and love

(1) Love story or pornography

(2)Passion of the author

(3)Distance between our expectation and author's real purpose of literature

5. Readability in Nabokov's hybrid and multi-cultural writing

(1)Dislocation

(2) Cultural exploration

(3)Nabokov's America

Ⅳ Writability

1. From readability to writability

2. Writability on themes and strategy of involution

( 1 ) Themes

(2) Nabokov's strategy of involution

3. The multicultural elements in writability

(1) Interaction of different cultures

(2) Multi-culture's another form Nabokov's side-interest in archeology, zoology, and entomology

(3) Play of his language and his multi-lingual feature

4. Language's arbitrariness and limitations

Ⅴ Is there a wall or barrier between readability and writability

1. Possibility of communication

(1)Second plot and third plot

(2)Reader's own desire for self-justification

(3)Game of authors to readers

2. Catering or elevating

3. Mutual aesthetic bliss

Ⅵ Conclusion

Bibliography

Appendix

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摘要

论文将V.纳博科夫的成名小说《洛丽塔》作为契入点,以分析小说的可读性与可写性为重心,阐述了两者在这部小说创作与阅读中的构成元素,并着力指向作者和读者最终应从中获取的审美狂喜.纳博科夫(1900-1977)是美国文学史上独一无二的作家,他独特的文化背景与文学创作的先锋精神引起了世人的瞩目.而《洛丽塔》在几度沉浮中成为了他艺术创作风格与观念的缩影,在通过解读小说的叙事手法、文字游戏、深层主题与创作动态等等之中,《洛丽塔》作为小说本身反而从论文阐述的重要性上隐退.而呼之欲出,明白凸现的则是力图超越可读性与可写性之间的屏障,去达到交互的审美狂喜,尽管这一交互的时间性并不一定一致.论文在对《洛丽塔》的层层分析中,将聚光点给予了文学阅读与创作中的态度.方式、甚至是限制性.

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