文摘
英文文摘
声明
Chapter One Introduction
1.1 Lu Xun and His The Regret of the Past
1.2 Henrik-Ibsen and A Doll's House
1.3 The Purpose of Writing This Thesis
Chapter Two Literature Review
2.1 Theoretical Review of Feminist and Feminist Criticism
2.1.1 The General Introduction of Feminist
2.1.2 The Feminist Criticism in Western Countries
2.1.3 Feminist Criticism's Beginning and Development in China
2.2 Literature Review of The Regret of the Past
2.3 Literature Review of A Doll's House
Chapter Three Women in Patriarchal Society
3.1 The Traditional Image of Women
3.2 Zijun and Nora's Status in the Family and Society
3.2.1 Zijun: Loss of Discourse Power
3.2.2 Nora: Existence as the Other
3.3 Zijun and Nora's Role in the Marriage
3.3.1 Zijun's Role as a Listener
3.3.2 Nora's Role as a Doll
Chapter Four The Awakening of Female Consciousness
4.1 The Main Features of the New Women
4.2 Zijun and Nora's Rebellion in the Patriarchal Society
4.2.1 Zijun: Resistance to the Traditional Values
4.2.2 Nora: Pursuit of Individual Personality
4.3 Zijun and Nora's Fulfillment of the Awakening
4.3.1 Zijun: From a Traditional Woman to a New Woman
4.3.2 Nora: From a Simple Girl to a Mature Woman
4.4 Similar Circumstance but Different Fate
4.4.1 Original Female Consciousness
4.4.2 Compromise or Insist on Struggle
4.4.3 Deep Social and Cultural Root
4.4.4 The Writers' Attitude towards Women's Way Out
Chapter Five Conclusion
Bibliography
攻读硕士学位期间取得的学术成果
Acknowledgements
