声明
摘要
ABSTRACT
Table of Contents
Chapter One Introduction
1.1 Research Background
1.2 Research 0bjective
1.3 Significance of the Research
1.4 Organization of the Thesis
Chapter Two Literature Review
2.1 Multimodal Metaphor
2.11 Definitions of the Related Terms
2.12 Previous Study of Multimodal Metaphor
2.2 Multimodal Metonymy
2.21 Definitions of the Related Terms
2.22 Previous Study of Multimodal Metonymy
2.3 Previous Study of Interaction Theory
2.4 Documentary
2.41 Introduction to Documentary
2.42 Previous Study of Documentary
Chapter Three Theoretical Framework
3.1 Conceptual Metaphor and Conceptual Metonymy
3.11 Classification of Conceptual Metaphor
3.12 Classification of Conceptual Metonymy
3.13 Working Mechanism of Conceptual Metaphor and Metonymy
3.2 Film Theory
3.3 Theoretical Model
4.1 Research Questions
4.2 Data Collection
4.3 Data Analysis
Chapter Five Results and Discussion
5.1 Identification of Multimodal Metaphor in China from Above
5.11 Description of Multimodal Metaphor
5.12 Identification of Ontological Metaphor
5.13 Identification of Structural Metaphor
5.2 Identification of Multimodal Metonymy in China from Above
5.21 Description of Multimodal Metonymy
5.22 Identification of Whole-Part Metonymy
5.23 Identification of Part-Part Metonymy
5.3 Dynamic Construction of Interactive Meaning in China from Above
5.31 The Importance of Multimodality
5.32 The Coherence of Multimodal Metaphor and Multimodal Metonymy
5.33 The Interaction between Multimodal Metaphor and Multimodal Metonymy
5.34 The Importance of Multimodal Metonymy
6.1 Major Findings
6.2 Implications
6.3 Limitations and Suggestions
Bibliography
Appendix
攻读硕士学位期间取得的学术成果
Acknowledgments