文摘
英文文摘
声明
Introduction
0.1 Topic Sources and Theoretical Basis
0.2 Significance and Relevant Studies
0.3 Objectives and Contents
0.4 Methodology and Feasibility
Chapter 1 An Overview of Iconicity in Language and Imagery in Chinese Classical Poetry
1.1 Iconicity
1.1.1 Development and Previous Studies
1.1.2 Definition of Iconicity
1.1.3 Classification of Iconicity
1.1.4 Iconicity in Literature (Especially in Poetry)
1.2 Imagery
1.2.1 Definition of Imagery
1.2.2 Classification of Imagery in Chinese Classical Poetry
1.2.3 Combination
Chapter 2 Imagic Iconicity of Imagery in Chinese Classical Poetry
2.1 Imagic Iconicity on the Phonological Level
2.1.1 Onomatopoeic Images
2.1.2 Sound Symbolism
2.2 Imagic Iconicity on the Morphological Level
2.2.1 Brief Introduction of the Chinese Character
2.2.2 Pictographic Characters in Chinese Classical Poetry
Chapter 3 Diagrammatical Iconicity of Imagery in Chinese Classical Poetry
3.1 Diagrammatical Iconicity on the Sound Level
3.1.1 Iconic Analysis of Auditory Imagery in Terms of Rhythm
3.1.2 Iconic Analysis of Auditory Imagery in Terms of Rhyme
3.2 Diagrammatical Iconicity on the Visual Level
3.2.1 Iconic Analysis of Visual Imagery in Formal-style Poetry
3.2.2 Iconic Analysis of Visual Imagery in Informal-style Poetry
3.3 Diagrammatical Iconicity on the Syntactic and Textual Level
3.3.1 Iconicity of Sequence
3.3.2 Iconicity of Quantity
3.3.3 Iconicity of Symmetry
3.3.4 Iconicity of Shape
Conclusion
Bibliography
Acknowledgements