Chapter One Introduction
1.1 Research Background
1.2 Objective and Significance of the Dissertation
1.3 Organization of the Dissertation
Chapter Two Literature Review
2.1 Studies on Naipaul’s Woks
2.2 Studies on Naipaul’s Travel Writings
2.3 Studies on Oriental Images in Naipaul’s Works
Chapter Three Theoretical Framework--Post-colonialism
3.1 An Overview of Post-colonialism
3.2 Orientalism
3.3 Cultural Hybridity
3.4 Mimicry
Chapter Four The Oriental Images in Naipaul’s Travel Writings
4.1 The Traditional Oriental Images
4.2 Modern Oriental Images
4.3 Fanatical Oriental Figures
Chapter Five Reasons Behind the Writing of the Oriental Images
5.1 Hybrid Cultural Identity
5.2 The“Other”Through Western Eyes
5.3 Naipaul’s Unique National Complex
Chapter Six Conclusion
6.1 Main Findings
6.2 Limitations and Suggestions for Future Study
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