声明
Abstract
摘要
CONTENTS
Introduction
Chapter One Theoretical Approach：Said’s Orientalism
Chapter Two The Deconstruction of Orientalism in M．Butterfly
2．1．Subversion of the Oriental Female Stereotype
2．1．1 Butterfly：the Stereotype under Orientalsim
2．1．2 Song Liling：the Deconstructionist
2．2 Deconstruction of the Stereotyped White Man
2．2．1 Pinkerton：the Superior American
2．2．2 Gallimard：the Inferior French
2．3 Subversion of East-West Relationship
Chapter Three The Deconstruction of Orientalism in Chinglish
3．1 Introduction to Chinglish
3．2 Overturning the Stereotypes of Chinese Women
3．3 Cultural Misinterpretation and Conflicts
3．3．1 Misinterpretation in Language
3．3．2 Conflicts in Values
3．4 Deconstructing the Western Superiority
Chapter Four Inadequacy of Hwang’s Deconstruction
4．1 Failure to Construct Positive Images of Chinese People
4．1．1 Absence of Positive Female Images
4．1．2 Absence of Positive Male Characters
4．2 Unconscious Reinforcement of Orientalism
4．2．1 Catering to the Western Audience in Culture and Politics
4．2．2 Misreading and Distortion
4．3 Possible Reasons for the Inadequate Deconstruction
4．3．1 Absence of Native Chinese Culture
4．3．2 Existent Straits of Chinese American Writers
Conclusion
Bibliography
Acknowledgments
