文摘
英文文摘
声明
Chapter One Introduction
Chapter Two Literature Review
2.1 Film and Culture
2.1.1 Characteristics and Functions of Film
2.1.2 Film and Culture
2.2 Feminism
2.3 Feminism Film
Chapter Three The Background of the Two Movies
3.1 Introduction to Movie The Color Purple
3.2 Introduction to Movie Raise the Red Lantern
3.3 A Comparison of the Two Movies
Chapter Four Female Life in Patriarchal Society
4.1 Female Life in Patriarchal Society in The Color Purple
4.1.1 The life of Celie-Abiding Model
4.1.2 The Life of Shug-Perfect Model
4.1.3 The Life of Sofia-Tough Model
4.2 Female Life in Patriarchal Society in Raise the Red Lantern
4.2.1 The Life of Songlian-Compromising Model
4.2.2 The Life of Yuru-Guarding Model
4.2.3 The Life of Zhuoyun-Fighting Model
4.2.4 The Life of Meishan-Resisting Model
4.2.5 The Life of Yan'er-Stubborn Model
4.3 A Comparison of Life of Female in the Two Movies
4.3.1 In The Color Purple
4.3.2 In Raise the Red Lantern
Chapter Five Sisterhood among Female Images
5.1 Sisterhood in The Color Purple
5.1.1 Sisterhood between Celie and Nettie
5.1.2 Sisterhood between Celie and Sofia
5.1.3 Sisterhood between Celie and Shug
5.2 Sisterhood in Raise the Red Lantern
5.2.1 Sisterhood between Songlian and Yan'er
5.2.2 Sisterhood between Songlian and Zhouyun
5.2.3 Sisterhood between Songlian and Meishan
5.3 A Comparison of Sisterhood in the Two Movies
5.3.1 Solidarity and Encouragement Promote Rebirth
5.3.2 Jealousy and Resent Lead to Tragedy
Chapter Six Conclusion
Bibliography
Acknowledgements
