论本雅明对于光晕艺术的再阐释——理解《机械复制时代的艺术作品》

摘要

本雅明的文学理论在中国的研究尽管起步较晚,但也己经开始吸引了越来越多中国学者的注意力.作者的论文以本雅明最有影响力的文章《机械复制时代的艺术作品》作为研究对象,对该文中的一些极具原创性和启发性的思想做出自己的理解,尤其是他对处于机械复制时代的光晕艺术的再阐释,希望能在由众多有关本雅明的批评作品形成的大合唱中拥有自己的声音.《机械复制时代的艺术作品》是本雅明文集中最早被中国文学批评界关注的一篇文章.该论文将两者在本雅明思想中的位置进行了一种新的分层.犹太神学和德国反资本主义浪漫情结决定了本雅明传统观的基本面貌.

目录

文摘

英文文摘

Acknowledgements

1. Introduction

1.1 Benjamin's life experience and his intellectual development

1.2 About The Work of Art in the Age of Mechanical Reproduction

1.3 Literature review

1.4 The value of the dissertation

2. Benjamin's Views on the Auratic Art

2.1 Benjamin's views on tradition

2.1.1 The influence of the tradition of Jewish Theology

2.1.2TheinfluenceofthetraditionofGermanRomanticAnti-Capitalism.

2.2 Benjamin's views on the auratic art

2.3 Benjamin's reinterpretation of the auratic art

2.3.1 The social background of the reinterpretation of the auratic art

2.3.2 The artistic conditions of the reinterpretation of the auratic art

2.3.3 The influence of Brecht

3.TheSubstitutefortheAuraticArt-theArtofMechanicalReproduction

3.1 Benjamin's views on technology and his theory of mechanical reproduction

3.2 The distinctive features of the art of mechanical reproduction

3.2.1 The film as a representative

3.2.2 The distinctive features of the film

3.3 The queries of the other members of the Frankfurt Faculty

4. The Realistic Significance of Benjamin's Reinterpretation of the Auratic Art

5. Conclusion

Notes

Bibliography