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概念整合视角下对中国古典诗词中水意象的阐释

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目录

文摘

英文文摘

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1.Introduction

2.Literature Review

2.1 The Studies on CIT

2.2 The Cognitive Studies on Poems and Lyrics

2.3 The Studies on Water Image in Ancient Chinese Poems and Lyrics

2.4 Summary

3.The Conceptual Integration Theory

3.1 Theoretical Background of CIT

3.2 Mental Space Theory

3.2.1 Mental Spaces

3.2.2 Mappings

3.2.3 Access Principle

3.3 The Conceptual Integration and Integration Networks

3.3.1 The Network Model of Conceptual Integration

3.3.2 Basic Processes of Conceptual Integration

3.3.3 Types of Integration Network

3.3.4 Vital Relations and Compression

3.3.5 Governing Principles

3.4 Summary

4.A CIT-based Interpretation of Water Image in Ancient Chinese Poems and Lyrics

4.1 Four Types of Conceptual Integration Network in Ancient Chinese Poems

4.1.1 Application of Simplex Network

4.1.2 Application of Mirror Network

4.1.3 Application of Single-scope Network

4.1.4 Application of Double-scope Network

4.2 Comprehensive Analysis of Ancient Chinese Lyrics

4.2.1“Charm of a Maiden Singer”by Su Shi

4.2.2“Riverside Town”by Qin Guan

4.2.3“Morning Horn and Frosty Sky”by Huang Ji

4.2.4 “Riverside Daffodils”by Zhu Dunru

4.3 Summary

5.Conclusion

Bibliography

Acknowledgement

攻读学位期间发表论文

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摘要

水意象在中国传统文学中占有重要位置,被认定为中国古典诗词中使用最为频繁的意象之一。对中国古典诗词中水意象的传统研究主要是从美学和文化等方面入手。认知语言学的发展为阐释中国古典诗词中的诗歌意象提供了新的视角。本论文旨在以概念整合理论为基础分析中国古典诗词中的水意象,从而展示出概念合成是普遍存在的认知机制并具有强大的解释力。本论文不仅为赏析中国古典诗词中的水意象提供新的视角,同时也帮助人们更为深入地理解概念整合这一新兴理论。

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