声明
Abstract
摘要
Contents
Part 1 Introduction
1.1 D.H.Lawrence and His Women in Love
1.1.1 On D.H.Lawrence
1.1.2 On Women in Love
1.2 Problems to Be Solved
1.3 Significance
1.3.1 Theoretical significance of this research
1.3.2 Practical significance of this research
Part 2 Literature Review
2.1 Studies Abroad
2.1.1 The period from 1910s to 1920s
2.1.2 The period from 1920s to 1950s
2.1.3 The period from 1950s to 1980s
2.1.4 The period from 1980s to Now
2.2 Studies at Home
2.2.1 The period from 1930s to 1940s
2.2.2 The period from 1940s to 1980s
2.2.3 The period from 1980s to now
Part 3 Theoretical Framework and Research Methodology
3.1 Theoretical Framework
3.1.1 The definition of ecological aesthetics
3.1.2 The development of ecological aesthetics
3.1.3 Two camps of ecological aesthetics
3.3 Research Methodology
Part 4 Analyzing Women in Love from the Perspective of Ecological Aesthetics
4.1 Ecological Aesthetics In fluence on D.H.Lawrence
4.1.1 D.H.Lawrence’s growing environment
4.1.2 D.H.Lawrence’s family
4.2 Ecological Aesthetics Performance in Women in Love
4.2.1 Ecological aesthetics in environment
4.2.2 Ecological aesthetics in the relationship between nature and human
4.2.3 Ecological aesthetics in human’s relationship
4.3 Ecological Aesthetics Application in Women in Love
4.3.1 Structure of ecological aesthetics
4.3.2 Objects of ecological aesthetics
4.3.3 Content of ecological aesthetics
4.3.4 Tasks of ecological aesthetics
Part 5 Conclusion
5.1 Summary
5.2 The Limitation of Present Research
Notes
Bibliography
Published Paper
Acknowledgements