声明
摘要
Abstract
1 Introduction
1．1 An Overview of Chinese American Drama
1．2 David Henry Hwang and M．Butterfly
1．3 Constructing the Theory of Cultural Identity
1．4 Literature Review
1．4．1 Research Abroad
1．4．2 Research at Home
2 Confrontation and Conflict of Cultural Identity
2．1 Western Cultural Hegemony and Orientalization of China
2．2 Stereotypes of Chinese in the Eyes of Americans
2．3 Oriental Female Obedience and Occidental Male Hegemony：Song Liling and Gallimard
2．3．1 Modesty and Sinisterness：the Image of Song Liling
2．3．2 Narcissism and Diffidence：the Image of Gallimard
3 Pursuit and Discovery of Cultural Identity
3．1．1 Deconstruction of East-West Relations
3．1．2 Subversion of the Oriental Female Stereotype
3．1．3 Deconstruction of the Stereotyped White Men
3．2 Deconstruction of the Protagonists’ Gender and Racial Identity
3．2．1 Elimination of the Protagonists’ Entrenched Gender Characteristics
3．2．2 Simplification of Protagonists’ Racial Identity
3．3 Reconstruction of Chinese Cultural Identity
3．3．1 Costume Representation and Cultural Identity
3．3．2 Reconstruction of Oriental Male Image
4 Adhesion and Transcendence of Cultural Identity
4．1 Breakthrough on Cultural Identity
4．2 Breaking Gender Boundary
4．3 Transforming Cultural Identity
5 Conclusion
Acknowledgements
References
Papers Published in the Period of Ph．M Education
