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New Plots for Hypertext? Towards Poetics of a Hypertext Node

机译:超文本的新图?迈向超文本节点的诗学

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While the significance of hypertext links for the new ways of telling stories has been widely discussed', there has been not many debates about the very elements that are being connected: hypertext nodes. Apart from few exceptions, poetics of the link overshadows poetics of the node2. My goal is to re-focus on a single node, or lexia, by introducing the concept of contextual regulation as the major force that shapes hypertext narrative units. Because many lexias must be capable of occurring in different contexts and at different stages of the unfolding story, several compromises have to be made on the level of language, style, plot and discourse. Each node, depending .on its position and importance, has a varying level of connectivity and autonomy, which affects the global coherence of text.After focusing on relations between the notion of lexia (as a coherent and flexible unit) and the notion of kernel in narrative theory, an explanation of rules behind contextual regulation is presented, along with the basic typology of nodes. Then an attempt to enhance existing plot pools for hypertext fiction is undertaken. Several suggestions for the new plots, offered by the node-centered approach, are introduced.
机译:虽然超文本链接对于讲故事的新方法的重要性已得到广泛讨论”,但关于所连接的要素:超文本节点,没有多少争论。除了极少数例外,链接的诗学使node2的诗学黯然失色。我的目标是通过引入上下文调节的概念来重新关注单个节点或lexia,这是塑造超文本叙事单元的主要力量。由于许多妖精必须能够在不同的背景下和故事发展的不同阶段发生,因此必须在语言,风格,情节和话语水平上做出一些妥协。每个节点根据其位置和重要性而具有不同程度的连通性和自治性,这会影响文本的全局连贯性。在着重于lexia概念(作为一个连贯而灵活的单元)与内核概念之间的关系之后在叙事理论中,对语境调节背后的规则进行了解释,并提出了节点的基本类型。然后尝试增强现有的超文本小说情节库。引入了以节点为中心的方法为新图提供的一些建议。

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