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The Supernatural Woman and Wartime Female Agency in The Foreshadowing (2006)

机译:预示着的超自然妇女和战时女性机构(2006年)

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摘要

Female characters in patriarchal settings must often navigate through society using their own agency. One form of power with which they are sometimes endowed is supernatural power. The Foreshadowing (2006) is a children's novel set in England and France during World War I. Unlike most war-themed children's literature, the main character is a teenage girl named Alexandra. This novel is also notable for its use of supernatural power as a source of agency. Using a theory on gender hegemony proposed by Schippers and another on female agency proposed by Trites, this study examines Alexandra, her father, her mother, Tom, and Jack. We show that the novel is ambivalent in its portrayal of supernatural power in relation to female agency. On one hand, the novel demonstrates that supernatural power is a powerful tool that threatens the patriarchal system represented through the father. With the help of her supernatural power, Alexandra uses her agency to overcome the boundaries placed on her by the gender roles of that era. On the other hand, the novel itself is still limited by the era's gender roles because it allows no possibility for the female character to take an active part in the war.
机译:父权制设置中的女性字符通常必须使用自己的机构驾驶社会。它们有时赋予的一种力量是超自然的力量。预示(2006年)是一名在第一次世界大战期间在英国和法国的儿童小说。与大多数战争主题的儿童文学不同,主角是一个名叫亚历山大的十几岁的女孩。这部小说也非常值得使用超自然力量作为代理来源。本研究审查了瑞士学习者提出的性别霸权的理论,并由夏人提出的女性机构,审查了亚历山德拉,她的父亲,母亲,汤姆和杰克。我们表明,这部小说是在与女性机构相关的超自然权力的描绘中的矛盾。一方面,小说表明,超自然力量是一个强大的工具,威胁到父亲代表的父权制系统。在她的超自然力量的帮助下,Alexandra使用她们的代理通过该时代的性别角色克服了对她的边界。另一方面,新颖本身仍然受到时代的性别角色的限制,因为它允许女性角色不可能在战争中积极参与。

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