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What to Make of Women-Led Crime Dramas?: An Interrogation of the Female Characters in Contemporary Crime Dramas

机译:妇女LED犯罪戏剧是什么?:在当代犯罪戏剧中的女性角色审讯

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While recent research suggests the proportion of lead characters in the mainstream Hollywood films and television shows is overwhelmingly male, white and middle-class, contemporary crime dramas led by women as central characters relatively enjoying a significant increase. This paper interrogates the way contemporary crime dramas represent their female or heroines characters by analysing four running shows: The Fall, The Bridge, Deadwind and Unbelieveable. Each of the shows are being led by women as detectives in the pursuit of justice. This paper suggests that while it seemingly that women being depicted in a more nuanced and complicated characters, more development need to be addressed in the future. Female detectives are represented in a more agentive characters and while also acknowledging feminist issues within the narrative, however such shows also problematic in some aspects. Towards this paper it is suggested that female victims are treated as exotic objects and in a sexual way through the camera works and juxtapostions.
机译:虽然最近的研究表明主流好莱坞电影和电视节目中铅特征的比例是绝大多数的雄性,白和中产阶级,妇女作为中央角色领导的当代犯罪戏剧相对越来越大。本文通过分析四个运行节目:秋季,桥梁,防潮,令人难以置信,审讯当代犯罪戏剧代表其女性或女主角角色的方式。每个节目都被妇女作为追求正义的侦探。本文表明,虽然看似以更细致和复杂的角色描绘的女性,但将来需要更加开发。女性侦探以更具代价的特征表示,同时也承认叙述内的女权主义问题,但是在某些方面也存在问题。朝着本文,建议将女性受害者被视为异国对象和通过相机工作和对象的性方式。

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