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Media Representations of Romanian Identity: Re-Defining the Romanian 'Other' within the European Cultural Space

机译:罗马尼亚身份的媒体陈述:重新定义欧洲文化空间内的罗马尼亚人'其他'

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This article proposes an analysis of various representations of Romanian identity in contemporary media, especially British press in the context of the free access to the labour market for Romanian and Bulgarian citizens. The article shows that these representations are marked by a series of negative stereotypes, both linguistic cliches and images, and tries to analyse the way in which these negative characterizations affect the public image of the Romanians.The main objective of our research is to explain the mechanisms of these stereotypical representations according to which Romania and its citizens appear as the malefic, vicious and always undesirable Other. This assertion is supported by a brief diachronic study of different depictions of Romania in British media, especially nineteenth century travel writing and other literary sources, like Bram Stoker's Dracula, which are considered to be highly influential even today in the construction of contemporary representations of the Romanians. At the same time, the paper attempts to identify elements which are fundamental in the characterization of Romanian identity and sustains that Romania is geographically and culturally an integrant part of Europe and of its political and economic institutions (as a member of the EU) and that its great cultural heritage can contribute to the cultural diversity of Europe. In the new context created by the debates on the importance of the cultural policies and projects which may bring a solution to some of the EUs most critical problems, an attempt at re-defining Romanian identity and at delineating its locus on the European geo-political and cultural map seems appropriate.The critical tools are represented by different concepts offered by imagology and cultural and media theories.
机译:本文提出了分析当代媒体中罗马尼亚身份的各种代表,特别是英国出版物在自由访问罗马尼亚和保加利亚公民的劳动力市场的背景下。本文表明,这些表示由一系列阴性陈规定型观念,语言陈异词和图像标记,并试图分析这些负面特征影响罗马人的公众形象的方式。我们研究的主要目标是解释根据罗马尼亚及其公民作为麦木,恶毒的,始终不受欢迎的其他方式,这些陈规定型陈述的机制。这种断言是通过英国媒体的罗马尼亚不同描绘的简要探索,特别是十九世纪的旅游写作和其他文学来源,如Bram Stoker的德拉库拉,这些来源被认为是在当地的当代表示的建设中的高度影响力罗马尼亚人。与此同时,该论文试图识别在罗马尼亚身份表征中的基础,并维持罗马尼亚在地理上以及文化上是欧洲的一体化部分和其政治和经济机构(作为欧盟成员)的内容的要素它的伟大文化遗产可以促进欧洲的文化多样性。在关于关于文化政策和项目重要性的辩论创造的新背景下,这可能会对一些欧盟州欧利福州带来解决方案,试图重新定义罗马尼亚身份,并在欧洲地理政治上划定其轨迹文化地图似乎是合适的。关键工具由Imagology和文化和媒体理论提供的不同概念代表。

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